I love that image myself.. and then what would they do about it?
I think what makes good writing is when I can see the characters before and after this one moment, see what made them what they are, care about what happens to them, and see a reasonable (as in possible, not necessarily happy) future for them.
I love that I get so much of that here. Poor Greg is feeling neglected. I haven't asked for a new library book in weeks.
Deena, you could always read "Weaver".
Oh, Deb, I fully intend to. If you want to send it to me now, be my guest! If you don't, Greg has promised that the library will buy at least one copy as soon as it's out.
Wait, so, if I let you read the prepress version, I lose a sale?
Couldn't you read it now and not tell him? I need the library sale....
oh, goodness, I'm pretty sure he's going to buy it for the library anyway. Then, if I give it a good review (as if that would be in question), he'll get them to buy copies for each branch, which would add up to anywhere from 4 to 10 sales, depending on how popular it is.
Heh. You want a word doc?
Heh. Way to go, Deb. (Deena, it's fab!)
Absolutely! Word, PDF, txt, runes in the mud, as long as I get to read it!
Thanks for the Britishism fixes! I kept nodding off during the last scene, so I wasn't sure how it all hung together.
And I was htinking of blaming young Ethan on Rebecca's choice of words, Alexandra giving him a glare and saying, "Yes, someone's been helping her with the names of things. Fortunately Huw hasn't asked."
Young Ethan Coombe is wanting his own series, darn his eyes. He's going to have to wait till I finish with his uncle and his uncle's "old friends" and all the lot of them.