I hope you don't think that I just come over for the spells and everything. I mean, I really like just talking and hanging out with you and stuff.

Willow ,'First Date'


Buffista Fic: It Could Be Plot Bunnies  

Where the Buffistas let their fanfic creative juices flow. May contain erotica.


Cindy - Apr 03, 2003 9:47:08 am PST #3155 of 10001
Nobody

"Bugger."

Ha!

[link]


amych - Apr 03, 2003 9:49:15 am PST #3156 of 10001
Now let us crush something soft and watch it fountain blood. That is a girlish thing to want to do, yes?

Post in your own journal, and post a link to it in the comments in Twi's challenge post.

And definitely do a cut rather than a spoiler font. When people read it in their friends pages rather than going directly to your page, their background colors won't necessarily be the same as yours (says she who couldn't resist the fan/goth cliche of a black background).


Cindy - Apr 03, 2003 9:50:23 am PST #3157 of 10001
Nobody

Thanks!

says she who couldn't resist the fan/goth cliche of a black background

Yes, this I was worried about.


P.M. Marc - Apr 03, 2003 9:50:29 am PST #3158 of 10001
So come, my friends, be not afraid/We are so lightly here/It is in love that we are made; In love we disappear

Is it better to post it in Twi's journal with a spoiler warning, or spoiler font, or should I post it in my own with the cut, and then link it to Twi's?

If you feel more comfortable, post it in your LJ behind the cut and link to it, but if you post it as-is, no spoiler warning in Twi's LJ, it should be fine.

(I used no spoiler warning in the post in the comments, and I mentioned Faith being in Sunnydale. It's vague enough to be okay.)

But if you post it in your LJ, be sure to use the cut, because of those pesky UnAmericans.


Rebecca Lizard - Apr 03, 2003 9:55:50 am PST #3159 of 10001
You sip / say it's your crazy / straw say it's you're crazy / as you bicycle your soul / with beauty in your basket

Deb, [link] is working for me now.


§ ita § - Apr 03, 2003 10:16:54 am PST #3160 of 10001
Well not canonically, no, but this is transformative fiction.

My shot at the drabble: Guidelines: Two hundred words, motel, gun, note, M/F (rated PG)

He turns it over again in his hands. Try as he might, he can't make it menacing. It's not cold. His hands keep it warm. He hasn't put it down since it fired. It's not heavy, not to hands that fence foil, epee, and saber.
He balances it, weighing, transferring, weighing again.
The gun in his father's hand had not had its own menace, but everything Lionel touched was tainted. Menace that stayed long after he walked away. No, Lionel never walked away. He could leave a room, but he never walked away.
There was a Heisenbergian uncertainty principle that hovered around Lionel. Sometimes Lex knew his motivation. Sometimes he could predict his action. Knowing both seemed impossible.
It didn't matter, in that moment, why Lionel was pointing the gun at Clark. Lex knew he would fire.
Was it filial devotion that had stuttered Lex's finger on his trigger? Or simple fear? No matter. Lionel's gun had fired first, at point blank range. Lex's aim had been as sure.
He crumples the note unfinished into his pocket and stares at the motel room door. Enough hiding.
He is a Luthor. The Luthor. No questions, no explanations.
And no more Smallville.

 **********

And now to read the preceding ones.


§ ita § - Apr 03, 2003 10:38:29 am PST #3161 of 10001
Well not canonically, no, but this is transformative fiction.

Gah. I'm reading all the drabbles, and they make sense (not to mention having emotional impact). Does mine make sense? Is it apparent that he now knows Clark is special, and this has pushed him away, over the line?

Or do I need to rework?


P.M. Marc - Apr 03, 2003 10:40:45 am PST #3162 of 10001
So come, my friends, be not afraid/We are so lightly here/It is in love that we are made; In love we disappear

I think it makes sense to me.

And I love

There was a Heisenbergian uncertainty principle that hovered around Lionel. Sometimes Lex knew his motivation. Sometimes he could predict his action. Knowing both seemed impossible.


deborah grabien - Apr 03, 2003 11:08:46 am PST #3163 of 10001
It really doesn't matter. It's just an opinion. Don't worry about it. Not worth the hassle.

Rebecca, uh-oh. I'm getting the "Netscape is unable to locate..." message.

Not good. Because Netscape's all I've got. And I've promised (and besides I want to) read "Girl One". "Girl Two", and "Faith By Nights", and I. Can't. Get. There.

Damn.


Connie Neil - Apr 03, 2003 11:20:38 am PST #3164 of 10001
brillig

Yep, I'm being a slavish follower of trends, my attempt at 200 words (brevity! Hard!) with a motel, a note, and a gun.

The note said Xander knew about the danger posed by Buffy and Angel and would be waiting in a motel in Oxnard.

Wes knew the risk, taking a prophecy's word over that of his friends. Maybe he was being played again: as a reliable source, Xander made as little sense as a plastic hamburger loa. But he knew Xander--or at least his reputation. Loyal, dedicated, the one who would act when the signs read failure.

So much like Wesley had wanted to be at that age. How had a young man with no advantages but courage and heart done so effortlessly what Wes, with his training and experience, had struggled to do?

Xander had saved the world. Wesley had betrayed everyone who depended on him. Wesley found himself reluctant to look Xander in the eye.

The door swung open on the knock. Xander, haggard and sleepless, didn't blink at the gun tucked in Wes' belt.

"You believe me," he said.

"Yes."

A weight fell from Xander's shoulders. "Thank god," he whispered. "Can we stop them?"

"Buffy and Angel? One pulled from heaven, the other from hell, where both should have stayed? I don't know. But we have to try."