What about this? It sounds like you were "in the zone" writing from another character's POV. Can you continue the story in the POV you're working well in, and come back to this difficult part later on? You may fall into that character's POV more naturally at a different part in the story, and while "inhabiting" that character this tough scene may not be as tough. Just a thought.

Well, I'm almost done with the scene now. I think I'm going to push through tonight, rough as it is, until I get to the end. Tomorrow I doubt I'll get to even look at it till late at night--we're having company for dinner, so there's a house to clean, and I have a potluck with my RWA chapter for lunch. Hopefully with 24 hours rest I can start building in what needs to be there. And if past experience is any guide, it's probably not so horrible and soulless as I think it is.

Whew. Done. And I think I actually hit some decent notes toward the end. Now I'll give myself a break until I start typing it in tomorrow after dinner.

Arrrgghh.

I have been working on and off on the same essay for the last two weeks. It just won't quite come together, and it's making me batty.

thump thump thump

Aw, man. So BTDT. Spent money I didn't have at the bookstore again. I mention this here because I bought some more mysteries by my Secret Literary Boyfriend who's teaching me to write mysteries whether he knows it or not.

Working on editing this essay for possible publication and let it be known that I'm a terrible emdasher in the worst--or I would argue best--way possible. In my non fiction if I'm clobbering a point, I like to clobber right down to the form of the sentence itself. Prof who suggested it, thinks I should go the semi colon route, but I don't know... Are emdashes really that evil? Is a complex-compound sentences broken down into simple sentences really better writing? I mean, Dickens, he was writing fiction and his run-ons are beloved by all, non?

The thought of you asking me, Fragment Girl...or, alternately, Dances With Parens? Makes me laugh really hard.

I mean, Dickens, he was writing fiction and his run-ons are beloved by all, non?

Problem is, if Dickens were writing today, he'd get in trouble for it.

I, too, am the em-dash's bitch. In my rough drafts, I let myself em-dash and flirt with run-ons with wild abandon. In what I think of as first-and-a-half drafts, when I take what I've written out longhand and put it into the computer, I try to clean up the complex sentences, and I do my best to limit myself to one em-dash a page. Then when I'm editing, I question every dash. A lot of them stay, but they have to prove their right to be there.

What I wrote yesterday doesn't suck half as much as I thought it did. I'm not saying it's a brilliant piece of writing, but all it took to bring it up to my usual rough draft standard was reordering a few paragraphs where I'd let narrative interrupt dialogue and replacing some of the "he saids" with action tags. It still needs the emotion enhanced a bit, and I'm not sure I've managed the structure just right in one section, but I really can't see why I thought it was one of the worst things I've ever written. Not only is it salvageable, I think it's a decent skeleton to build a scene upon.

Now I'm going to stack some cats and go to bed.

I finished that essay finally! It still needs some work, but one of my dearest RL friends helped me a lot. What a relief.

Now I'm going to stack some cats and go to bed.