Truth to tell, I didn't find out until much later, so it was kind of like, "Oh. Really. Cool.". I also toured pretty extensively for that book, so I think I may have personally met everyone who bought it. It did well in Claifornia, New England and the Southwest, where I toured the most, and I know from the publisher that some copies were shipped out to New York and the UK, where I've also spent a good deal of time.

From time to time, I try to keep up on what's still out there of each book. As far I can tell, it's something like:

• Stale Cigarettes & Guiness (1994, Intuit Press) GONE.
• The Price of Getting What You Want... (1995, Inevitable Press) Evidently available on (sorry BHP!) Amazon Used and at a couple bookstores in Arizona. Maybe at Beyond Baroque in Venice, CA and Midnight Special, in Santa Monica.
• Upstart (1997, Doublebunny Presss) GONE
• God's Country (1998, Inevitable Press) GONE, unless there's one or kicking around Beyond Baroque. Have also heard there's some in the Barnes & Noble & Borders Systems, but I've never seen real proof of this.
• Cancer (1999, self-published, limited edition) GONE.
• Learning to Speak: Selected Early Poems (1999, FarStarFire Press) Still pretty available.
• Invisible Ghetto (2001, Self-Published) Still abvailable from the author, and maybe at Beyond Baroque.

In point of fact, you can't get TPoGWYW on Amazon.

You can, however, find it on MXBF.

[link]

Wow. I'm down to $3.50! That USED to retail for $5!

Of course, it's the slimmest chapbook I've put out. It's only a handful of poems. Kind of cool that you can still get it. I'd have problems turning up a copy, although I'm sure I've got one in a box somewhere.

EDIT: BHP, I am completely in love with this site.

Victor, love the new tag!

Ok, I feel bad posting in here, without ever having done so before, to ask for some help, rather than doing my best to help. Anyway. I need to write a short story by the 29th at the latest, and the panic in my head is killing any creative flow. Would someone be willing to work with me a little bit, bouncing some ideas around, and then reading a draft? If you don't want to, that's totally cool, but I thought I would ask. Since this thread seems to do shorter stories, and my story has to be 15 pages, I'd feel bad posting it here, but if anyone actually did want to read it when it was done, I suppose I could link to it elsewhere, or something of that sort. Anyway, help? My aim name is Alibelle30, and my email address is ElizabethDianna@yahoo.com.

What's the genre, ali? If no one else offers, give me a holler, profile addy should be good.

That's the thing, Connie, my professor would really prefer it not be "genre fiction," which she doesn't appreciate. She just wants "fiction." But since I'm just much happier working within a genre, I might just have to ignore her preference a little bit. Thank you so much though.

What is the difference between genre fiction and fiction? Is "fiction" that Oprah style stuff that deals with angst and relationships and people being content with the lives they have etc. etc.? Mmm, maybe I should stop, just in case you like that stuff.

Short stories, mmm ... vignette type things, where someone who doesn't need a lot of introduction falls into something or observes something that makes an impression. Kid losing a balloon at the fair, and an adult nearby remembers themselves at a fair, losing the balloon and remembering their feelings of lose. Put in some metaphors about how things we love slip away.

Or something. Stories like that make me twitchy, cause I read/write for escape and excitement. Remembering personal pain doesn't make for an evening's entertainment.

You got it exactly on the nose perfectly right, Connie. And I read for the same reason you do. So I'm thinking that if she really has such an issue with genre, that's simply too bad, because I can't write just straight up my-boyfriend-left-me-and-I'm-angry fiction. It's boring for me. So I'm thinking of doing a crazy fairy tale mish mash type of thing. But I'm not sure where to go with it, exactly.

I was talking to a friend who wrote science fiction, and she complained that she could think of no original idea. I said that the last people who had original ideas were the Greeks, and even then they may have been stealing from the Sea Peoples and the cavemen. The basic themes are always the same, it's the trappings and treatments that change. Vampire/human slash is just another facet of two people falling in love/lust despite differences. Xander/Spike could just as easily be Romeo and Juliet--without the icky suicides. I suppose someone thought of stories dealing with the impact of an efficient horse-drawn carriage on society, what with easy transportation and people mingling. Not much different than Star Trek.