Ooh, Deb, that sounds perfect! One of the Deborah Crombie mysteries was set there, and she actually covered a lot of that -- the bombings, the yuppification, etc. I knew nothing about that area, and it was fascinating. (Not that I know much about London in general, but still.)

Also, you're very lucky to write the way you do. I think it must have to do with the confidence and power in your natural voice, which I think is very well suited to the stories you tell. And "speed-bard" made me grin. I'd love to sit in for that.

(drags head out of research on UXB methods and units, in preparation for starting fourth book)

Susan, who else is there? That makes a huge difference. Is it all women, or is James there, or Sebastian?

What about backhanded "compliments", Susan? Something like (and this will suck 'cause I'm really tired), "Yes that color will look lovely with your darker complexion." (Because being quite fair was all the fashion then, right?)

All women. Just Lucy, Georgiana, Portia, and the dressmaker. Maybe Lady Mowbray, but I don't think so.

Amy, have you read any Nicholas Blake? The Nigel Strangeways mysteries? He (Blake) was actually Cecil Day-Lewis, poet laureate of England (and yes, of course, Daniel and Tamsin's father), and one of his later mysteries is set partly on the Isle of Dogs.

Something about the color of the gown and Lucy's complexion? Like, Portia says that Lucy's very daring to wear a gown of [blue/cream/whatever], considering her complexion. Portia could phrase it in that catty way that, on the face of it, sounds like a compliment, but really is an insult.

t edit Heh -- funny x-post with AmyLiz!

Heh -- funny x-post with AmyLiz!

Great minds and all that.

any Nicholas Blake? The Nigel Strangeways mysteries?

Nope. But I love recommendations. Oh! I know! I meant to tell you I read a mystery called Haunted Ground that made me think of you, because the author (Erin Hart) uses some folk music in it. It's set in Ireland, and concerns the discovery of a bog body (and then there's a present-day mystery, as well). Really nicely written, and I liked the way she used the song lyrics as a way to puzzle out some of the mystery.

Hmmmm. That being the case, why precisely is Portia worried about not slagging off Lucy, whom she despises? The presence of other people have never stopped her before. Why would she watch her tongue? What am I missing?

The cross-conversation is really frellin' funny...

What about backhanded "compliments", Susan? Something like (and this will suck 'cause I'm really tired), "Yes that color will look lovely with your darker complexion." (Because being quite fair was all the fashion then, right?)

I've seen conflicting sources (and I couldn't cite any of them, unfortunately--all part of that great encyclopedia in my head labeled "I'm sure I read it somewhere once") on whether blondes or brunettes were more fashionable, so I don't know if a blue-eyed blonde like Portia would be considered closer to the ideal than someone like Anna, with fair skin and dark hair. But Lucy is about as dark-complexioned all around as you can get and still be 100% British, and I'm pretty sure her skin tone in particular would be seen as a liability.

The dress she ends up choosing is an extremely flattering pure white with crimson trimmings (which will no doubt delight the 'Bama fans among my relatives). I guess Portia could hint that white just makes her look that much darker, or try to talk her out of the red trimmings and into something a bit less brunette-flattering?