The further I get away from Firefly, the less I like it. OTOH, I really miss Wonderfalls.
Interesting. I probably rewatch Firefly and Wonderfalls more often than any of the other shows.
[NAFDA] "There will be an occasional happy, so that it might be crushed under the boot of the writer." From Zorro to Angel (including Wonderfalls, The Inside and Drive), this is where Buffistas come to anoint themselves in the bloodbath.
The further I get away from Firefly, the less I like it. OTOH, I really miss Wonderfalls.
Interesting. I probably rewatch Firefly and Wonderfalls more often than any of the other shows.
I think the only thing I've liked less with distance was Angel season 4, and about half of 3. Angel season 2 still owns all for me.
I find Firefly easier to come back to, becuase I didn't like any of the rumours I heard about the next season of Wonderfalls.
Heh. It doesn't bother me because I am certain someone would have smacked the bad crack out of Fuller's head. Of course, with Firefly, I know all that's next is Serenity and YOU CANT STOP THE SIGNAL!
And then I laugh until I cry, but not in the way I think Whedon intended.
Sorry. Didn't mean to get all bashy, but dear loward. Everytime I catch it on cable, and there's the seriousness, and the reavers, and the big secret is that everyone died of apathy, and then YOU CANT STOP THE SIGNAL! I just. It's. OMG so funny.
I can't really put my finger on why Firefly got stale/sour to me over time. There's a few fantastically written episodes/scenes of television in there. I just don't think they were enough to carry the concept for me in the long term, maybe?
Am I correct in saying you weren't sold on the concept originally by the pilot, Allyson?
I can understand where that can lead to confusion, as I do think it's a well written series in most places, but if the concept doesn't sit, it does kinda all fall down for a viewer. Which is why the series was never going to work for a mass audience.
That makes a lot of sense to me, Allyson -- for me, the concept never could carry the movie (and it may be a good thing I've never run across it on cable, because I barely made it through the one time), but the series still remains this chunk of teevee that I really fiercely love no matter how often I rewatch. Mileage, vary, etc, but you aren't sounding bashy to me.
Personally, I thought the concept of Serenity was enough to carry the movie -- but structurally, I thought it had issues. Mr Universe didn't work, the 'secret' is too late in the proceedings yada. Not to say I could do any better, because my attempt at a Firefly movie screenplay would mostly involve Mal saying "Buh" to Jayne, and Jayne saying "Guh" to Mal.
The exact words, no. But the grammar and rhythms were very consistent throughout the series. My sister found it as offputting as the language in Firefly.
I can see that. HOwever, I thought that the grammar and rhythms were consistent with the "real" speech patterns of the location and time. Some teenagers spoke like that.
I can't really put my finger on why Firefly got stale/sour to me over time.
Am I confusing you with Kristen as to who couldn't stand the show from the get-go? I thought you were in the hate the show but heartily support the creators camp?
I grew up on westerns and many relatives from Texas. "Reckon" was in common usage among my extended family.
Heh. I saw a reference in a review today to "French-Canadian ingenue Dhavernas" and it took me aback, because I really know her only from WF, which, not so much with the ingenue. Or the F-C, for that matter.
It took me a bit to get past the western-talk in Firefly, but then I grew to love it. My own speech can be heavily influence by both that and Buffyspeak. Add in my own hodge-podge of accents and regionalisms, and it can get kind of scary in there.