I've always wondered if working with an actor you know informs how you write the scripts, or if that's never part of the equation

If you know your cast's strengths, why not play to them?

Uh, not that I'm speaking for Tim. It's not an unknown practice, I mean.

Kill them all! Except Nathan's possible character

He is, after all, far too pretty for God to let him die.

Yes, but Tim is better than God in his worlds. He can kill you and bring you back. Well, I suppose Christian God is supposed to be able to do that, thinking about it.

Mal was already killed once by Tim ("War Stories").

I feel all awkward and stuff, but the scripts read differently with Nathan's voice, and the chemistry changes a bit. In my head. Which is why I need meds. I digress, the chemistry between the leading lady and leading boy changes a little in my head, the intensity changes.

In a good way or a bad way, Allyson?

Jackal - You're going to be forever redesigning that header logo on Drive Blog. Also, I need to speak to you when I get back about that Drive thang. I'll have some spare time over Xmas as DG is working most of it.

Jackal - You're going to be forever redesigning that header logo on Drive Blog.

I thought I'd just start putting little question marks over everyone who has or may ever be recast... or go back to that marginally related shot of the desert road. Who didn't love that?

If you wanted to be totally orginial you could make up some numbers and put them as the logo, with lots of little question marks. And a little computer. Don't worry, we'll figure out what it means later.

If you wanted to be totally orginial you could make up some numbers and put them as the logo, with lots of little question marks. And a little computer.

Sounds a lot like Lost.

Don't worry, we'll figure out what it means later.

Sounds a lot like Lost.

Don't worry, we'll figure out what it means later.

Sounds a lot like Lost.

You're giving Lost a lot more credit than I do.