And Superior Justice disappointed me. It turned into a character piece with interruptions for murder, and the scenes of the pastor counseling people tended to go on a little long. Being as he's a Lutheran Reverend, of course it would be a Christian-centered viewpoint. But then I noticed the character focusing on women dressed in "a mannish button-down shirt" or having "mannishly short hair." And the final straw, the several pages where a psychologist whose practiced attempted to "cure" gays explained how he went about it and the pastor being interested and not challenging any of it.
I started skipping pages at that point, and then he turned into Steven Segal after he was framed for murder, and, well.
Witty dialogue and erudite characters can't make up for everything.
I am now reading Clockwork Scarab, a steampunk story about the hitherto unknown younger sister of Bram Stoker, who turns out to be the equivalent of Buffy, and the hitherto unknown niece of Sherlock Holmes, daughter of Mycroft, which is very funny after seeing Game of Shadows, are recruited by Irene Adler to find out who is killing young aristocratic women. Ridiculous on the face of it, but it's being matter of fact about a steampunk world with the Fae in it, and, by the way, we've got an accidental time traveler from the modern world who seems to be coping surprisingly well in a world where he's surprised to find out Sherlock Holmes is real and where he can distract pursuers with his iPhone.
Miss Stoker is reluctantly admitting that Miss Holmes is quite bright and clever, and Miss Holmes is grudgingly impressed at how well Miss Stoker kicks butt. Miss Stoker is surprised to discover Miss Holmes dislikes dark underground places, and Miss Holmes is baffled at why Miss Stoker freezes at the sight of blood, given her vocation. As Miss Stoker says, "Vampires don't bleed."
They're both trying to live up to their families' reputations, and it's at least competently written.