I'd have a very hard time arguing against Huck Finn, but the novel that first leapt to mind for me was The Catcher in the Rye. And then I remembered that I much preferred A Separate Peace as a coming-of-age novel, and think that Gatsby may be more iconic of America.
Connor ,'Not Fade Away'
Literary Buffistas 3: Don't Parse the Blurb, Dear.
There's more to life than watching Buffy the Vampire Slayer! No. Really, there is! Honestly! Here's a place for Buffistas to come and discuss what it is they're reading, their favorite authors and poets. "Geez. Crack a book sometime."
The structure of Code Name Verity was a little disconcerting at first, but it didn't take long for her voice, and the intensity of the character, to compel me.
I'd have to reread to talk about the first question you asked. I know had thoughts about it at the time, but I don't remember what they were.
Kate - I felt like it was very much a smokescreen (in response to the first question)
Grapes of Wrath. Huckleberry is a reasonable backup.
Author Robert Galbraith is actually J.K. Rowling link.
Kate, I feel like anything that pertains to Maddie is true. I believe that the Anna Engel stuff was all lies -- it was meant to be the diversion. Most of her account was a lie. Hence her "This is the truth! This is the truth!" and her telling the girl who refused to confess to just lie.
It's a perfect way to teach unreliable narrator, I think.
Has anyone read Armor, by John Steakley? I haven't read a book this fucking frustrating in a while. I'm almost annoyed that it actually redeemed itself in the end.
I do think class is as much an American focus as race, although race is clearly not a focus anywhere else.
Yet class in America is inextricably intertwined with money, more so (I think) than elsewhere. I'd also add a 3rd Great American Focus, religion, which also plays out in a way different than elsewhere.
I'll argue for Theodore Dreiser's An American Tragedy. It isn't on that list. But class/money determines almost the entire plot, with more than a passing discussion of the effect of religion.
Oh, and Moby Dick is overrated. The treatise on whaling breaks into the plot too deeply.
although race is clearly not a focus anywhere else
I don't understand what this means. What is the anywhere else?
I should have said almost, I guess. Race isn't a big focus in historical British literature, or most European literature, unless I'm completely wrong. And I absolutely could be. I just couldn't think of examples that address it the way Huck Finn and other American literature does.