But that's not true for a hell of a lot of writers out there, who could definitely benefit from a few less adverbs (and adjectives, and instances of passive construction, and tense shifts ...).
t cough J.K. Rowling
River ,'Objects In Space'
There's more to life than watching Buffy the Vampire Slayer! No. Really, there is! Honestly! Here's a place for Buffistas to come and discuss what it is they're reading, their favorite authors and poets. "Geez. Crack a book sometime."
But that's not true for a hell of a lot of writers out there, who could definitely benefit from a few less adverbs (and adjectives, and instances of passive construction, and tense shifts ...).
t cough J.K. Rowling
She does love her adverbs and adjectives, I know. I found it to be part of her style, though, because she was fairly consistent with, um, overuse, so the rhythm of the narrative was pretty steady.
That might make sense only in my head, though.
It does give her books (or the Harry Potter series anyway) a certain flavor and color, too.
Stephen King - who is a fan of JKR - specifically called her out on her adverb abuse, especially things like: "Ha, Ha!" she cried triumphantly.
Like I said, she does probably use too many. I just don't care, because the books were incredibly readable to me.
I think she listened to him, though, as it was noticeably less in the last book.
Part of my course has been helping kids identify "works of literary merit" and defining what that means. One of our ongoing discussions is around the idea that one trait of literary merit is playing with language (which Rowling does, but it's mostly in the naming of things, like Spell-o-tape etc).
I think they have decided that, generally speaking, books that are primarily plot-driven are wonderful but mostly don't qualify as having "literary merit." It's been interesting to see them reach that conclusion because most of them found it when trying to identify the differences between Jane Eyre, Picture of Dorian Gray and The Strange Tale of Dr. Jekyll and Mr. Hyde.
Rowling is plot so her adverbial tendencies don't really slow that down.
Adverbs should be used........sparingly.
You probably eat dry toast, too.
I thought today's writers were less slavishly devoted to Strunk and White? Haven't they sort of receded into the landscape of pretty opinionated grammar dominatri...what the hell is a gender neutral term for what I'm looking for, fuck?
I mean, I didn't think they were regarded as singularly right anymore...not hugely more right than many other voices (some of whom don't have a hate on for the adverb, for instance, to the same degree).
I think it's entirely possible to write lively descriptive prose without an abundance of adverbs. Framing it as a choice between adverb overload and stark minimalism is a strawman, surely.
Definitely. People need to stop dichotomizing falsely.