That's true.
Darn it.
Also: I can recommend Ben Aaronovitch's Peter Grant books as good Urban Fantasy.
I can recommend Ben Aaronovitch's Peter Grant books as good Urban Fantasy.
Those were recently recommended to me elsewhere.
I read the first one and liked it very much. Are there more out already?
The second one came out in March. (Moon Over Soho)
A
Jane Eyre
question, and I can't believe I can't remember this: was Mrs. Fairfax aware of Bertha's presence, or only Grace Poole?
Yep, the godlike power thing can get annoying,
I think this is an artifact of the idea that a series has to be a rising crescendo with higher stakes each book or story or episode than the last. In truth good series don't have to do this. The original Sherlock Holmes series followed the Moriarty conclusion with stories where several people were killed or one or no murder at all took place. Because both the character Holmes and the author Doyle took seriously the idea that a single death, or a single person's fate was as important and interesting as a super-villain or the the fate of a set of papers on which national security depended.
Rex Stout's Nero Wolf took on fictional super-villain Zeck in several books and real-life super-villain J. Edgar Hoover in one, and still managed non super-villain based stories. A series arc that constantly raises the stakes is certainly a valid choice for a series. I sometimes get the impression that many authors don't realize it is not the only choice.
Amy, I'm almost certain Mrs. Fairifax knew everything, but I haven't gotten that far in my re-read yet.