Jayne ,'The Train Job'
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
::gooses Hec, just because::
It's silly, especially when I know it'll end up being a big nothing, but when millions of people have read a book, even a book I've heard is not well-written, I have to at least skim through it.
Movies are easier that way, really, because it's less of a time investment.
AmyLiz, I'd suggest Angels and Demons first. It's got the original appearance of the main character, and DVC refers back to it a little bit. (Plus I think it's the better book, but YFictionMV.)
It's got the original appearance of the main character, and DVC refers back to it a little bit.
In the second chapter, the main character reminisces, "Wow, this exact thing happened to me LAST YEAR." It's rather amusing.
Heh. I've heard that.
I'm in total agreement, although the ending of Angels and Demons may be even more WTF.
Seen Virgin Suicides a few times. Meant something to me. Also, same with Children of Men - CoM actually sits in my Best Films Ever list, and not just because of the technical aspects.
It's really all about personal preference. It's not as if Virgin Suicides, LiT or CoM are badly made or lacking in intelligence films. It's about if people connect to the journey inside them, and/or the characters.
Also, with the supes love.
I was just flipping channels, when I came across Hair on the Retro movie channel, which I haven't seen in years even though I have the soundtrack that I like listening to from time to time. I tuned in just as "Black Boys/White Boys" was starting, and I'd forgotten how really amusing their staging of that was, alternating between women singing in the park and army officers viewing recruits of the appropriate race while singing. The black army guy with the wonderful falsetto is so terrifically stonefaced while he's singing, "My mama calls 'em lillies / I call 'em piccadillies." All while all the guys' legs and feet are dancing under the table while they remain seated.
Back to P&P:
BTW, Emma Thompson did an uncredited rewrite of the movie, and I believe Charlotte's "I never was romantic" line is hers.
It's Austen's
I pulled my copy and from page 146:
Charlotte: "I'm not romantic, you know; I never was. I ask only a comfortable home--considering Mr. Collins's character, connections, and situation in life, I am convinced that my chance of happiness with him is as fair as most people can boast in the marriage state."
t /nitpicky
Charlotte: "I'm not romantic, you know; I never was.
Thanks for looking that up, Cash -- I meant to check at the time, but something shiny must have crossed my field of vision.
I love Supes. He's just such a damn sweetie in current canon, but not without angst! He's like, noble and occasionally snarky!
And hot!