Will you report back whether the concept is as unbelieveably insulting as it sounds?
This is a take I was previously unaware of. What's insulting about the concept?
Willow ,'Showtime'
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Will you report back whether the concept is as unbelieveably insulting as it sounds?
This is a take I was previously unaware of. What's insulting about the concept?
JZ, not to worry...if I really thought you'd do that, I'd devote my next visit to SF to teaching Matilda "eyefuck" or something. Of course then she might be a Tarentino, and everyone wins.
What's insulting about the concept?
There are gossip rumblings I've read about the last pregnant woman on earth being sub-Saharan African, and how (being both black and female) the movie treats her as pawn-material, an object, a belly with no brains, rather than a subject and a character in her own right. I've only seen the trailer, so I don't know whether to take that with a grain of salt, or to get mad in advance.
I don't remember that attitude from the book. But it's been a long time since I read it.
Bah, I can't copy-paste on this thing. Anyway, that shot? Isn't even the best one in the film. there's another earlier on that's even more impressive.
AFAICT, most of the racism/sexism charges being thrown at this film are coming from people who have not seen it. Kee (the pregnant woman) is dependent on others for her safety because she's young and alone and people are trying to kill her, but she absolutely has agency in determining who is allowed to help her and in what manner. The people in the film trying to use her as a pawn are the *bad guys*.
The best it to watch that Manchurian Candidate and then watch Bedknobs and Broomsticks. Makes for much surreal fun.
Especially when followed up with Pirates of Penzance.
Anyway, that shot? Isn't even the best one in the film. there's another earlier on that's even more impressive.
Need to see this movie now. The tale of the seven minute action shot, as told by Cuaron, is epic. I still haven't seen Y Tu Mama Tambien. I shall have to remedy that.
I still haven't seen Y Tu Mama Tambien. I shall have to remedy that.
There's a movie that improves vastly with the sound off. It's got Cuaron's visual style, but oy, that fucking voiceover.
(And speaking of women used as plot points instead of characters...yeah. Not that film's strong suit. Actually, I'm pretty sure the film's only strong suit is the scene where the boys make out, and even then it's only because Gael Garcia Bernal naked is never ever a bad thing.)
The tale of the seven minute action shot, as told by Cuaron, is epic.
I wonder if his Comic-Con panel from last year is online anywhere? He was interviewed by Guillermo del Toro, and it was one of the best panels of the weekend. He talked about getting that shot, and how they were literally down to their last squib on the last take of the last day.
So we've got PAN'S LABYRINTH, CHILDREN OF MEN, and CURSE OF THE GOLDEN FLOWER this Xmas season (or near enough), plus I already got the most uncompromised David Lynch movie since ERASERHEAD?
Santa be giving the presents big time this winter.
Gael Garcia Bernal naked
Ka-thunk!