Simon ,'Jaynestown'
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
I'm a huge fan of POPEYE (I saw it twice when it was in theaters), but I definitely think it's one that gets better on repeat watches.
And Matt is so correct about Shelly Duvall being spot-on for Olive Oyl - I can't even imagine another actress in the role.
GC, I had the same flip-flop on Short Cuts. Also Nashville, although I think that there's enough to redeem the movie overall.
As far as the baby Altmans go, I liked Magnolia a lot, although ultimately there was no there there. My co-editor Gary makes a great argument that Winterbottom is Altman's true heir.
I'm a huge fan of POPEYE (I saw it twice when it was in theaters), but I definitely think it's one that gets better on repeat watches.
Frank and I are one. I was just scrolling to the end to champion Popeye as one of his (IMO) more enjoyable films.
Winterbottom is Altman's true heir
Interesting. I really must get around to reading that issue. My biggest problem is that I hate reading lengthy pieces on-line, and there isn't really a good option with THH for printing (though I did slog through the Peckinpah articles using cut & paste one day when I had nothing to do at work).
I'm also a big Popeye fan. But I'm one of the few people who's actually read some of the original Segar Thimble Theater strips and owns the Fleischer animated Popeyes too. I appreciated the fidelity to both of those visions you get from Feiffer's script, but also the originality of Altman's vision. Plus Shelley Duvall as Olive Oyl. "He needs me / he needs me / he needs me / he needs me / he needs Meeeeee!"
The Long Goodbye is one of my favorites too. Sterling Hayden! Jim Bouton! That ending. That coke bottle.
Hmmm, I've got McCabe on the TiVo right now...
1. McCabe & Mrs. Miller (possibly my favorite film of all time)
2. Gosford Park (Gets better on repeated viewings)
3. MASH (not only a great fim, a great influence in attitude and technique)
4. The Player (Just saw it recently--it holds up beautifully)
5. Nashville (amazing cast, so many of whom step way out of their comfort zones)
Oh, and Long Goodbye.
The Long Goodbye is one of my favorites too.
Hec and I are sharing a brain again. I need to see McCABE (and CALIFORNIA SPLIT and NASHVILLE) again (and THIEVES LIKE US period), but as of right now, THE LONG GOODBYE is my favorite Altman. Heh, given how much Elliot Gould mutters and asides, it was practically a dry run for POPEYE.
POPEYE is a flawed film. In his script, Jules Feifer was writing E.C. Segar's Thimble Theater comic strip, while Altman was attempting to film a Max Fleisher cartoon. The differences between the comic and the cartoon are too great that it could ever work.
The Fleisher cartoons, BTW, are a big influence on Altman's style of overlapping dialog, which is probably took on the project to begin with.
Hec and I are sharing a brain again
I didn't even mention how much I like Rudolph's Choose Me.
Hec's been stealing my brain, too.