Have you seen Oldboy? She posits you're not going to see its like in mainstream Western cinema. Here's a synopsis:

Man gets kidnapped and kept in a small room for fifteen years. When he's anonymously set free (he's never seen his captor/jailor, since they gas him when they need to do stuff-stuff including hypnosis) he meets a girl, falls in love, and proceeds to try and find out who did this to him, and why. Turns out, in the end, after some blood and gore, that it's this guy he witnessed having sex with his sister (the guy's sister, not the protagonist), and the sister subsequently killed herself because of the rumours that spread and grew based on our protagonist's mention to another high school friend.

What he doesn't know is that the girl he's fallen in love with (and fucked) is his own daughter, and that they were both hypnotised to make it a done deal. Daughter is being held remotely and is about to have the truth told to her. As part of his self-abasement our protagonist cuts out his own tongue, and the bad guy calls off the reveal. And then shoots himself in the head. The movie ends with the protagonist finding the hypnotist and having the memory of all this twisted stuff excised. And he walks off into the (snowy) sunset with his daughter, PRESUMABLY TO KEEP FUCKING HER WITHOUT ANY GUILT.

Oh, and there was some other gross stuff too.

I'd be surprised if The Fan lived up to that (or down), but I've never seen it.

I am, however, buying my sister the DVD set of Profit. I think she'll dig it.

Just watched Nightwatch.

Some great imagery, but that movie made no fucking sense. You reach a tipping point in movies when the critical mass of the non-sense making is achieved and you start to question even the things that you'd thought were basic assumptions at the beginning of the movie.

So I guess watching Nightwatch is a lot like living in Russia.

Some great imagery, but that movie made no fucking sense. You reach a tipping point in movies when the critical mass of the non-sense making is achieved and you start to question even the things that you'd thought were basic assumptions at the beginning of the movie.

OMG--YESSSS! I'm so glad I'm not alone in this.

I'm so glad I'm not alone in this.

You're not. The imagery was very cool, and I loved the subtitles. I even grasped the basic plot and I still had no idea wtf.

You got subtitles? I got dubbed. Which was interesting, because the English was Russo-fied: "What building you in?" I always prefer sub-titles though, so I can hear the actual actor saying the line.

Yeah, the subtitles weren't just yellow text, but actually were worked into the film. They'd change color, or turn into mist and float away, or the actor would move in front of them. Very cool, but didn't help a whole lot with the sense-making.

You got subtitles? I got dubbed. Which was interesting, because the English was Russo-fied: "What building you in?" I always prefer sub-titles though, so I can hear the actual actor saying the line.

I got Raq's version--which may very well have caused some of the understanding problems. I might have understood a little more if I could have understood a little more.

Ah, Nochnoi Dozor. I think I was able to follow the main plot, but there was a lot of nonsensical stuff along the way. And I never understood how the Virgin of Byzantium could have been cursed in the first place if it was the vortex developing around her that spawned all the sorcerers and vampires and other supernatural creatures. Also, didn't get how those vampires Anton hunted down could safely elude him in The Gloom considering how dangerous it was when he and Olga traversed it for just a few seconds.

Oh well, can't wait until Дневной Дозор is released in the US.

We watched The Devil and Daniel Johnston last night. I'm not a Daniel Johnston fan (though Speeding Motorcycle as done by Yo La Tengo was pretty sweet), but the movie was good. His poor parents.

I never understood how the Virgin of Byzantium could have been cursed in the first place

OK, this I got: They said that she was cursed by a normal person. "A mortal cursed another mortal, and from that the Dark was created." I thought the second go-round was kind of stupid, though - huge build-up and OMGWTFWe'reAllGonnaDie (and I kind of thought the armies would welcome the Final Battle but whatever) and then, "Oh! I did it, and I take it back and it's all okay now."

didn't get how those vampires Anton hunted down could safely elude him in The Gloom considering how dangerous it was when he and Olga traversed it for just a few seconds.

Exactly. And why didn't Vampire Girl traverse it herself then? Maybe it's only dangerous to the NightWatch? And Undeclared Others?

And why was it such a big deal that Anton killed Andre? I mean, Andre was totally attacking him, with apparent intent to kill.

And WTF Olga? Again, a lot of build-up about what a silent and deadly killer the owl is, and Big Light Guy gives the owl to Anton to defend him, be his partner, and Owlga does jack-all. Aside from molt and sew. And count down the time in The Gloom.

And why didn't Anton have any clothes? Just plastic. Weird and clearly a thing, but huh?

Of course, leave it to the Russians to cast the Dark as mafia and the Light as bureaucrats. The two sides were pretty much Dark and Dark Grey. And of course it was paperwork that sealed the deal in the end.