They don't strike anybody else as cheap expository techniques?
Have you read Pride and Prejudice?
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They don't strike anybody else as cheap expository techniques?
Have you read Pride and Prejudice?
Have you read Pride and Prejudice?
Hey, who says Jane's cheap-proof.
Hey, who says Jane's cheap-proof.
Them's fightin' words...
(By which I mean that's my favorite scene in one of my favorite books, and I really really really didn't like the new film version so there. t pout )
I love Pride and Prejudice as written. Just wanted to point out that if you think letters are cheap, no reason to think they're not cheap in Jane's hands too.
Just wanted to point out that if you think letters are cheap, no reason to think they're not cheap in Jane's hands too.
Then he should leave the Jane-adapting to people better suited to it.
rassenfrassenkierafuckingknightlycakes
I definitely prefer the book above all film versions. This film couldn't even touch the Cliff's Notes version of P&P. I got a lot more understanding where the director was coming from on his commentary (and for the record, he needs to go back and read the book). I HATED his ideas on the evolution of Jane & Elizabeth's relationship as sisters. He just didn't get it.
(I hate letters, too. They don't strike anybody else as cheap expository techniques?)
Epistolary novels were the first flourishing of the book-as-we-know-it, they're a very old form indeed. It's more that they're hard to do well, and keep the interest of the modern reader with plot arcs, et cetera.
I'll x-post this in the Buffy thread, but Jonathan Woodward (he of the ME trifecta) is playing Bettie Page's boyfriend in THE NOTORIOUS BETTIE PAGE.
I saw Thank You for Smoking last weekend. I found it loads of snarktastic fun.
Eee!
The comic filmmaker, who made a monster hit musical out of his 1968 movie "The Producers," says he is adapting another of his classic film comedies for the stage -- this time the 1974 "Young Frankenstein," a spoof on the Frankenstein saga which he says is perhaps the best movie he ever made.
With no deadline set, Brooks says he is in the middle of writing the score, including a song for scary Frau Blucher, the caretaker of the Frankenstein castle still madly in love with that late, unlamented mad scientist.
"It is going to be wonderful," Brooks said in a telephone interview, just before he burst into a German-accented version of his Frau Blucher song:
"He vus my boyfriend/He vould come home in a snit/He vould have a terrible fit/I am the first thing he vould hit/But I didn't give a s---/He vus my boyfriend."