Have you read Pride and Prejudice?
Yep. Didn't like it much. Read Emma and Sense and Sensibility too. I tend to find Jane Austen to be an author whose brilliant stories generally make it worth the effort of wading through her (in my opinion) incredibly frustrating, over-expository prose, though not always. Emma is the only one I could honestly say I like, I think, and even that is a middling like.
I'm not a big fan of the expository letters from Lydia, etc, in the book, though I admit that the letter Elizabeth writes to Mr. Darcy is one of the few moments in the book that I didn't feel the drama was crippled by Austen's style. I can see the director's issues in catching the drama on film, however.
God, just thinking about the letter at the end of Persuasion gets me all melty.
I think it's safe to say that you're not the target audience.
Vajna. That's an unfortunate name to have to use in English-speaking places.
Possible surprise endings to Snakes on a Plane:
After single-handedly killing all snakes on board and landing the plane, Jackson steps onto the tarmac and removes his trench coat only to reveal that he is, in fact, made entirely out of snakes.
The Chicago Tribune has a fun article on the Snakes on a Plane online phenomenon. Loved this:
So, who stars in "Snakes on a Plane"? Who do you think? Good God, there are snakes on the plane! Venomous vipers, in a glorified flying bus, miles above the ground! You need someone tough -- a Jedi, Shaft, Jules from "Pulp Fiction"! You need someone who speaks entirely in exclamation points! With poignantly placed expletives peppered throughout his speech! You need Samuel L. Jackson!
We watched
Mirrormask
last night. I think it was a very good use of CGI, to support the story in a way that couldn't be done without CGI.
The DH thought it was
Labyrinth
for the post-MTV generation. I thought it was more
The Wizard of Oz,
and I'm wondering if the two could profitably be compared. Oz kicks off with Dorothy leaving the real world, disrupting the balance in Oz by taking the Wicked Witch out of the picture, and then puts the wearable shiny magic charm on her feet, which ultimately allows her to get home. Along her road, she encounters personalities and images from her real world.
The inciting incident in
Mirrormask
(not revealed chronologically) is not-Helena putting the wearable shiny magic charm on her face, then hiding it, disrupting the balance of OtherPlace by taking the White Queen out of the picture, and leaving the unreal world. Helena, trying to fix things, encounters personalities and images from her real world.
There are even flying monkeys in both.
One wonders what not-Helena thought about the White City's Prime Minister turning up as her father in the real world, sans yonic mask.