Speaking of "More Like The Moon," I stumbled on the Pitchfork review:
"More Like the Moon", on the other hand, is an extremely straightforward purty ballad, with extended near-Flamenco picking lending the track a Chi-Chi's-style ambience. Yeah, it's somewhat moving and hardly faultable, but the bar is set too high now for Wilco to coast like they do here, restricting drummer Glenn Kotche to a first-day-of-drum-school beat and key-man Leroy Bach to gentle organ fills.
....
If you find the whole effort a tad bit underwhelming, there may be good reasons why ... More Like the Moon sounds like Wilco cleaning out their fridge, even though it's only 33% leftovers. It's not that the sextet of material here plants any seeds of doubt about the band's future trajectory-- road-tested tracks like "Spiders (Kidsmoke)" indicate there's plenty o' future to be excited about-- it's just that this release is less a tease for what lies ahead than an audit of last year's receipts.
But you can easily forgive More Like the Moon for being a bit of a dry-hump....
All the same, my drunken YHF ramblings stay retired, replaced by an even more ludicrous sermon about how The Rapture are going to reinvent indie music based around the mere two songs I've heard from their upcoming full-length.... Still, More Like the Moon is far too safe a play to keep that momentum rolling between full-lengths, and fails to rise above the fan-club gift bonus it is.
Sometimes I read Pitchfork reviews and wonder if this is what happened to the Soviet music press in the post-Cold War days. (The music reviews in the Soviet press were heavily influenced by what the party felt about the composer that week. Shostakovich would get blasted in the press for a symphony that was too "Western" and not "Russian" enough, then on the next symphony be chided for being too traditionally Russian. Sometimes they'd rip him in two papers for opposing things.) They really do have a party line.
And that's different from almost every other rock critic how?
True, Pitchfork isn't too different from anyone else, much as they'd like to think otherwise. I did enjoy David Cross's rip a few months back on their occasional tendency towards over-intellectualizing indie rock (although that's a sin I proudly call my own, too).
And that's different from almost every other rock critic how?
It's not. But they're the ones that most have me recalling my college Soviet Culture class.
Anyone interested in doing a Best Of The Half-Decade So Far Deathmatch?
I'd nominate:
- Fiery Furnaces - Blueberry Boat
- Brian Wilson - SMiLE
- New Pornographers - Electric Version
- The Wrens - The Meadowlands
- Wilco - Yankee Hotel Foxtrot
- Animal Collective - Sung Tongs
- Richard Davies - Barbarians (which nobody loves like I do, so there's that)
- Spoon - Girls Can Tell
- Yo La Tengo - ...and then nothing turned itself inside-out
- Viktor Vaughn - Vaudeville Villain
- Deerhoof - Milk Man
- Decemberists - Her Majesty
- Decemberists - Picaresque
- Liars - They Threw Us All In A Trench And Stuck A Monument On Top
- Mastodon - Leviathan
- Wire - Read and Burn 01 and 02
- Calexico - Feast of Wire
- Arcade Fire - Funeral
- Madvillain - Madvillainy
- M83 - Dead Cities, Red Seas and Lost Ghosts
If you're interested, let me know what your recommendations would be. I'll set up the brackets.
You could do an entirely Northwest bracket.
- New Pornographers - Electric Version
- Decemberists - Her Majesty
- Decemberists - Picaresque
- Neko Case - Blacklisted
- Modest Mouse - The Moon And Antarctica
- Death Cab For Cutie - Transatlanticism
- Sleater-Kinney - One Beat
- Dandy Warhols - Thirteen Tales From Urban Bohemia
Not sure about the bracketing or if the Decemberists deserve two slots.
If they do, it's got to be Castaways and Picaresque. Her Majesty's solid, but also solidly third-place.
Electric Version
over
Mass Romantic
?? I must respectfully disagree. (Haven't listened to
Twin Cinema
enough yet to offer a strong opinion vs. the other two, but so far I reeeeaaaallllly like it.)
Electric Version over Mass Romantic ?? I must respectfully disagree. (Haven't listened to Twin Cinema enough yet to offer a strong opinion vs. the other two, but so far I reeeeaaaallllly like it.)
So, do they get two albums? Twin Cinema will more than likely be in my Top 5 for the year, so it should probably go, too.
How many albums in the brackets? 64? If so, should we limit them to 2/artist?
I'd say 8 or 16 in the bracket. And I stand strongly by Her Majesty or Picaresque over Castaways & Cutouts AND by Electric Version over Mass Romantic, but y'know, that's kinda the point of the match.
So, how about 2 Decemberists & 2 New Pornographers?
