Wash: Little River just gets more colorful by the moment. What'll she do next? Zoe: Either blow us all up or rub soup in our hair. It's a toss-up. Wash: I hope she does the soup thing. It's always a hoot, and we don't all die from it.

'Objects In Space'


Buffista Music III: The Search for Bach  

There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.


Hayden - Sep 17, 2005 7:58:09 pm PDT #527 of 10003
aka "The artist formerly known as Corwood Industries."

I'd say 8 or 16 in the bracket. And I stand strongly by Her Majesty or Picaresque over Castaways & Cutouts AND by Electric Version over Mass Romantic, but y'know, that's kinda the point of the match.

So, how about 2 Decemberists & 2 New Pornographers?


dw - Sep 17, 2005 8:46:28 pm PDT #528 of 10003
Silence means security silence means approval

16 is a really small number, especially if 1/4 of the slots are going to two bands.

Pool play could work, but then we're overthinking and overworking. Why not just a Decemberists qualifying bracket?

1. Castaways vs. The Tain
2. Her Majesty vs. Picaresque

3. Winner of 1 and 2 -> #1 seed in main event

Like I said, just with the Northwest you could come up with an eight-team bracket.


dw - Sep 17, 2005 9:59:28 pm PDT #529 of 10003
Silence means security silence means approval

Someone has gone through and transcribed playlists from old 120 Minutes episodes from 1986 to 1995: [link]

I'm looking at the '88-'91 lists, back when I watched it, not terribly religiously, but I had friends who taped it and watched it later. It was our lifeline to the non-hair-metal music in high school.

Then it hit me that the 88-89 shows are as old now as I was when I watched them.


Sue - Sep 18, 2005 4:41:32 am PDT #530 of 10003
hip deep in pie

You know, I realized that most of my best of the half decade are local.

Also, I'd totally choose Mass Romantic over Electric Version.


DavidS - Sep 18, 2005 8:49:10 am PDT #531 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

Elijah Wood's iTunes Playlist:

One Blood (Single) - Terence Jay
Even Now We Are Preparing to Love You - Puny Human
King - Fireball Ministry
Summer's Gone - Aberfeldy
If You Want Me to Stay - Sly & The Family Stone
Throw Me Away - James Chance
Damaged Goods - Gang Of Four
Mr. Sellack - The Roches
Tom Cat (Electric Mud) - Muddy Waters
When You Were Mine - Prince
God Only Knows - The Beach Boys
Fearless - Pink Floyd
Alberto Balsalm - Aphex Twin
Space Oddity - The Langley Schools Music Project
But Not for Me - Chet Baker
Baro Foro - Gogol Bordello

He says the Sly song is his favorite.


Michele T. - Sep 18, 2005 3:04:49 pm PDT #532 of 10003
with a gleam in my eye, and an almost airtight alibi

There's a whole website called "The Shins Will Change Your Life" devoted to rock critic overreaches and bloviation. Painful, yet amusing.

And don't believe the hype re JK Toole -- he was apparently a lot more depressive than the standard romantic myth of his life would have you believe even before the book didn't find a publisher. (It's considered a great document of the woefully understudied NO dialect as well, by the way.)


DavidS - Sep 18, 2005 5:22:34 pm PDT #533 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

Alongside the Perfect Pop category is the collector favorite Disturbing Pop. Glossy pop production wrapped tenderly around an utterly disturbing lyric. Perhaps the most disturbing song from the Girl Group era is the one described below. Note the inspiration was no less than Little Eva ("The Locomotion") herself.

*****

“He Hit Me (And It Felt Like A Kiss)” was written by Gerry Goffin and Carole King, after their live-in babysitter Eva Boyd (19-year-old singer Little Eva) returned from a weekend away with her boyfriend, covered in bruises. The boyfriend seemed to have spent the entire weekend hitting the girl but, when questioned about it, the girl didn’t bat an eyelid. He hit her because he loved her. And, in the song, because she deserved it.It was a brutal song, as any attempt to justify such violence must be, and Spector’s arrangement only amplified its savagery, framing Barbara Alston’s lone vocal amid a sea of caustic strings and funereal drums, while the backing vocals almost trilled their own belief that the boy had done nothing wrong. In more ironic hands (and a more understanding age), “He Hit Me” might have passed at least as satire. But Spector showed no sign of appreciating that, nor did he feel any need to. No less than the song’s writers, he was not preaching, he was merely documenting.Unfortunately, very few people agreed with him. While radio play was initially encouraging, the complaints quickly began pouring in and, with the general public itself apparently preparing to rise up in protest against the record, igniting one of those periodic feeding frenzies to which society is so oddly prone, Spector pulled the single, ironically just as it prepared to enter the chart. Controversy can encourage sales, after all, as well as cripple them. - by Dave Thompson


DavidS - Sep 18, 2005 5:25:13 pm PDT #534 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

Which I note, only because I went and splurged on a bunch of Girl Group hits including The Crystals. I've had most of this stuff on vinyl forever, but my interest has circled around again and I needed it digitally.

I think I'll put together two Girl Group mixes and post them at Buffistarawk. One for The Hits and one for the Rarities and Lesser Known.


erikaj - Sep 18, 2005 5:26:44 pm PDT #535 of 10003
Always Anti-fascist!

Weird. But Spector=crazy so maybe I shouldn't be surprised.


Steph L. - Sep 18, 2005 5:31:28 pm PDT #536 of 10003
the hardest to learn / was the least complicated

Disturbing Pop

"Every Breath You Take" = stalker's anthem.

V. disturbing.