I don't like vampires. I'm gonna take a stand and say they're not good.

Xander ,'Beneath You'


Buffista Music III: The Search for Bach  

There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.


bicyclops - Sep 15, 2005 4:19:37 pm PDT #513 of 10003

Thanks, dw


DavidS - Sep 15, 2005 4:21:03 pm PDT #514 of 10003
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

Bicyclops rocks!


bicyclops - Sep 15, 2005 4:28:26 pm PDT #515 of 10003

And I'm on the DVD documenting the tour.

I have that! Where are you?

Near the beginning of the DVD, you can see our dog Prince modeling the Loud Family t-shirt and giving Alison Faith Levy a doggie smooch. Later on, during the segment with the fan interviews, you can see Prince again sitting between Gil & me as I blather on about hearing Game Theory for the first time.


IAmNotReallyASpring - Sep 15, 2005 6:57:05 pm PDT #516 of 10003
I think Freddy Quimby should walk out of here a free hotel

Hec, bicyclops - That made my day. Thanks.


Hayden - Sep 15, 2005 8:33:45 pm PDT #517 of 10003
aka "The artist formerly known as Corwood Industries."

Anyway, did anyone else get the More Like The Moon MP3s Wilco offered to people who bought Yankee Hotel Foxtrot? If so, why was "More Like The Moon" (the "title track" to the virtual EP) left off YHF and not recycled for A Ghost Is Born? I guess, moodwise, it doesn't fit either album. But it's damn pretty.

Yeah, I really like that song, too, as well as the alternate version of "Handshake Drugs."


dw - Sep 16, 2005 6:33:25 am PDT #518 of 10003
Silence means security silence means approval

Speaking of "More Like The Moon," I stumbled on the Pitchfork review:

"More Like the Moon", on the other hand, is an extremely straightforward purty ballad, with extended near-Flamenco picking lending the track a Chi-Chi's-style ambience. Yeah, it's somewhat moving and hardly faultable, but the bar is set too high now for Wilco to coast like they do here, restricting drummer Glenn Kotche to a first-day-of-drum-school beat and key-man Leroy Bach to gentle organ fills.

....

If you find the whole effort a tad bit underwhelming, there may be good reasons why ... More Like the Moon sounds like Wilco cleaning out their fridge, even though it's only 33% leftovers. It's not that the sextet of material here plants any seeds of doubt about the band's future trajectory-- road-tested tracks like "Spiders (Kidsmoke)" indicate there's plenty o' future to be excited about-- it's just that this release is less a tease for what lies ahead than an audit of last year's receipts.

But you can easily forgive More Like the Moon for being a bit of a dry-hump....

All the same, my drunken YHF ramblings stay retired, replaced by an even more ludicrous sermon about how The Rapture are going to reinvent indie music based around the mere two songs I've heard from their upcoming full-length.... Still, More Like the Moon is far too safe a play to keep that momentum rolling between full-lengths, and fails to rise above the fan-club gift bonus it is.

Sometimes I read Pitchfork reviews and wonder if this is what happened to the Soviet music press in the post-Cold War days. (The music reviews in the Soviet press were heavily influenced by what the party felt about the composer that week. Shostakovich would get blasted in the press for a symphony that was too "Western" and not "Russian" enough, then on the next symphony be chided for being too traditionally Russian. Sometimes they'd rip him in two papers for opposing things.) They really do have a party line.


Jon B. - Sep 16, 2005 7:22:02 am PDT #519 of 10003
A turkey in every toilet -- only in America!

And that's different from almost every other rock critic how?


Hayden - Sep 16, 2005 7:38:48 am PDT #520 of 10003
aka "The artist formerly known as Corwood Industries."

True, Pitchfork isn't too different from anyone else, much as they'd like to think otherwise. I did enjoy David Cross's rip a few months back on their occasional tendency towards over-intellectualizing indie rock (although that's a sin I proudly call my own, too).


dw - Sep 16, 2005 10:18:14 am PDT #521 of 10003
Silence means security silence means approval

And that's different from almost every other rock critic how?

It's not. But they're the ones that most have me recalling my college Soviet Culture class.


Hayden - Sep 16, 2005 4:36:42 pm PDT #522 of 10003
aka "The artist formerly known as Corwood Industries."

Anyone interested in doing a Best Of The Half-Decade So Far Deathmatch?

I'd nominate:

  • Fiery Furnaces - Blueberry Boat
  • Brian Wilson - SMiLE
  • New Pornographers - Electric Version
  • The Wrens - The Meadowlands
  • Wilco - Yankee Hotel Foxtrot
  • Animal Collective - Sung Tongs
  • Richard Davies - Barbarians (which nobody loves like I do, so there's that)
  • Spoon - Girls Can Tell
  • Yo La Tengo - ...and then nothing turned itself inside-out
  • Viktor Vaughn - Vaudeville Villain
  • Deerhoof - Milk Man
  • Decemberists - Her Majesty
  • Decemberists - Picaresque
  • Liars - They Threw Us All In A Trench And Stuck A Monument On Top
  • Mastodon - Leviathan
  • Wire - Read and Burn 01 and 02
  • Calexico - Feast of Wire
  • Arcade Fire - Funeral
  • Madvillain - Madvillainy
  • M83 - Dead Cities, Red Seas and Lost Ghosts

If you're interested, let me know what your recommendations would be. I'll set up the brackets.