Huh. I'll have to watch it again now. Well, not now now, but soon. Maybe tomorrow night.
It may just be that I thought it was funny. I'm really easy that way. (Shuddup, I am so.) I liked that we were
following the killers from the start, and saw their whole dynamic instead of hearing about it.
Now I can't remember. Mostly I remember giggling at various very wrong things. It was like 2 AM when I saw it, so that could have been a factor.
ETA: Ah, yes. If it wasn't supposed to be funny, that'd be a problem. But it came off as intentional!
That part I liked too, Strega. It was interesting.
I think I missed the camp. It felt, to me, less campy and more...corpsey? Block of woody?
Then you're all crazy and it was good! Er, from what I remember. I reserve the right to decide I was hallucinating when I watch it again. Which I'd like to do now, but I should go to bed. Maybe it's me that is crazy, but that was the one I thought, "Hey, I could show this to my family and they'd like it... well, except for the
rapeyness and shotgun blasts
and on second thought, no, forget that idea."
Why do you think it didn't work? I'll catch up in the AM, because I'm really & truly going to bed. Really.
I think I'm too tired to remember anything beyond what I already said. Maybe tomorrow, after I've had some more sleep, I can make my brain work.
It seems our Mr. Minear has two things in the upcoming issue of Creative Screenwriting:
Breaking the Story: Showrunner Tim Minear on How to Create a TV Episode -- Tim Minear's story-breaking class at Screenwriting Expo 4 was so popular we asked him to put in print. Here he leads you through the process of creating a TV episode.
Metaphors and Murder: Tim Minear on Reinventing Angel and The Inside -- The showrunner talks about how finding the heart of the premise is the first step to building a better TV show.
I wish they'd just release the freakin' DVD, already. He was so cute!
Is it wrong to ask if the casting for Tim's new show has happened yet? I see people added to pilots everyday, but his show is never mentioned. Is there an order in which pilots are allowed to satrt casting?
When would the pilot have to be filmed to present to the studio?
This stuff confuses me....
I've been told that answering these things constitutes bragging.
So let me "brag."
They are casting it now. It's not wrong to ask, I'm always confused by this stuff. The order as it appears to me is that once the network agrees to buy the pilot, they hire a director, cast it, hire the guy who holds the boom, figure out location stuff and all of that. Once it's shot, the network will make a decision based on the pilot whether they'll buy more episodes, and that's when writers will be hired, offices set up, and those cute Vcards with the show logo get printed.
I think. But you know who knows the for sure definate stuff? Tim.
