I sometimes think Uma is very pretty in that strikingly odd and unusual way, much like Rossy de Palma.
What Happens in Natter 35 Stays in Natter 35
Off-topic discussion. Wanna talk about corsets, duct tape, or physics? This is the place. Detailed discussion of any current-season TV must be whitefonted.
Kate, tell 'em a good taxonomy is better than sex. Okay, not better than actual good sex, but better than this-isn't-going-to-work-out-after-all,-is-it? sex.
Hmm. I think Uma's pretty hot when she's not going to the Oscars. I also prefer the Aguilera to the Spears, although it's only recently I've paid enough attention to pick a side at all. And they both have nice voices. But who is this Sevigny character? And what is up with those clothes interrobang
Nilly and Sparky, thanks for the prompts--they definitely help. I've been rocking the cover letters, but this is much harder.
edit: heh, amych. I'll try to work that in.
I should know better than to click on ita's links.
I should know better than to click on ita's links.
This needs to be tattooed onto my knuckles.
Huh. Amazon has reinstated a new and improved gold box. Now it shows you two items, and you can keep one or the other of the items available while you look at the next in line. Pretty neat.
Here's another one Kate -- the digital divide is widening and you want to help close it and think libraries are the answer.
She's still yucky because the white trash lurks beneath.
I've got white trash running through my veins. Where's my fame and glamour? Am I not woman enough to fill the bra of a cleavagey slutbomb?
Ha! Considering your take on "authenticity," I'd think you would love this book when you're not rolling your eyes at De Zengotita's self-indulgence.
Heh. No, I saw the book and was intrigued. Though I did get that basic thesis from reading the Ballard intro I referenced.
From Ballard I got: It's not the portrayal of violence in the media which has desensitized people and made them alienated from their own experience. It's that we are aswim in a world of constant narrative, where every television ad is a tiny story. That culture has superseded experience and we check our emotions against this narrative white noise instead trusting what we feel, or even having an interior emotional context in which to place those feelings.