Saw P&P today, and the Sarah Silverman movie Jesus Is Love last night. Not much to say (head busy with other things), but I do have one line about each of them:

My gods, Sarah is really shooting for the Lenny Bruce title, isn't she?

Sad about lack of wet Colin Firth, but decent compression of the plot into the required timeline; also, MacFadyen should TOTALLY play Heathcliff one of these days.

Sarah Silverman movie Jesus Is Love

Isn't it Jesus Is Magic? Not that it matters to me, because there is no WAY that will show in Salt Lake.

In other news, Netflix was hit with a class action lawsuit. There is a settlement on it, basically giving current subscribers a free upgrade and ex-subscribers a free month. Details to be found at [link]

Isn't it Jesus Is Magic? Not that it matters to me, because there is no WAY that will show in Salt Lake.

Le oops. You are correct, on both counts.

In other news, Netflix was hit with a class action lawsuit. There is a settlement on it, basically giving current subscribers a free upgrade and ex-subscribers a free month.

I've heard, though, that if you opt for the free upgrade, they will start charging you for that level if you forget to change your membership back before the next billing period.

I first saw Rumble Fish in Dublin, Ireland when it originally came out. I've seen it a couple times since, but was possessed by a need for its lush, narcotic dreaminess and bought the DVD yesterday. It's a recently released special edition with commentary by Coppola and a few docs, including a piece with Stewart Copeland on the innovative, percussive score.

Coppola's commentary isn't fun, or funny really, but it is fascinating. He's still such a filmmaker - really still in love in the medium - and he peppers his comments with intriguing asides about Ingmar Bergmann or D.W. Griffith or Pabst, then he's all mushy about 8 y.o. Sophia Coppola playing Diane Lane's little sister, then he's talking about how his eldest son snuck back onto the lot after Zoetrope went bankrupt to steal back a specific set of lens that Coppola had bought himself, and which he's leaving for his children.

He's just such a lovely guy, so fond of his cast, and the experience of making this movie. Questioning why he didn't make more little movies like this. And the movie itself is just so innovative in many ways - vastly moreso than the story required. But it is its own little dream world, and it's cute watching Suzie Hinton show up in a scene to flirt with Matt Dillon or a young Diana Scarwid.

The first scene alone (after some gorgeous time lapse photography of b/w clouds formations tumbling and rolling) has Lawrence Fishburne, Tom Waits, Matt Dillon, Chris Penn and Nicolas Cage, and Vincent Spano in it. That's some cast. (Whatever happened to Spano? He was so good in Baby It's You.) It's odd looking at Mickey Rourke's young, handsome face before he ruined his looks and then ruined them again with the plastic surgery. He's so good in this movie - really underplaying the character to excellent effect. Similar to his characters in Diner and Body Heat. Shit - it's not easy playing a teen dream juvie Camus.

(I keep thinking about David Lynch's direction of Kyle Machlachan in Dune: "More enigmatic! More charismatic!")

Just got back from Harry Potter. I loved it. Will need to see it again. That is all.

I saw I Walk the Line tonight. The performances were INCREDIBLE. Anyone not a Reese Witherspoon fan will be one by the end of this film. The film itself is a little rote and badly paced, but there are some amazing scenes and the two leads lift it up to a higher level with their talent and passion.

The film itself is a little rote and badly paced, but there are some amazing scenes and the two leads lift it up to a higher level with their talent and passion.

ITA. It reminded me of Ray that way.

Saw HP with Perkins yesterday, which made it my second viewing and I picked up on so many little details I missed the first time. Am still quite happy with the flick. Though, I do wonder how someone who has not read the books would view it and all the subtle references that probably should not have been quite so subtle.

Saw Syriana and Narnia today, and I recommend both of them.

Syriana isn't as tightly directed as Traffic, but it's still a hell of a good script, and jam-packed with excellent performances. Clooney is almost unrecognizable (I spent most of the film thinking how much like DH's dad he looked).

Narnia is fantastically well done -- I was never a huge fan of the books, so it didn't grab me emotionally as much as LotR (or, I have to say, any of the HP movies), but it's still a beautiful and richly created world, and I think people who do love Narnia will love this movie. The kids are all good, Tilda Swinton is fantastic (I *need* the chain mail dress she wears to battle) as the White Witch -- it's all just good.