I haven't seen it yet, but DH did.
Ah-ha! Thank you! Now let me use more exclamation points!!!1!
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I haven't seen it yet, but DH did.
Ah-ha! Thank you! Now let me use more exclamation points!!!1!
I don't think that's how he was counting (Strangelove was nommed for 4 Oscars) -- but rather that Sellers was three characters
Oh, my bad. I haven't seen Strangelove in a while.
Oh, my bad. I haven't seen Strangelove in a while.
That's a situation that's well worth rectifying. It holds up astonishingly well for a piece of satire (which I find tends to date quickly, unless it's really well done). Just goes to show you that chuckledheaded behavior from politicians, bureaucrats and military people never goes out of style.
I've been meaning to watch it again since the fustercluck post-Katrina. I have a feeling it will feel completely relevant.
God I love that movie.
I've been meaning to watch it again since the fustercluck post-Katrina. I have a feeling it will feel completely relevant.
I tried that after 9/11, and it almost wasn't the good kind of funny. Almost.
I've watched it since 9/11 and can wholeheartedly agree with Jessica's assessment.
I tried that after 9/11, and it almost wasn't the good kind of funny. Almost.
I've watched it since 9/11 and can wholeheartedly agree with Jessica's assessment.
Yeah, that doesn't surprise me one bit. I think I deliberately avoided it after 9/11 for that very reason. Katrina seems more of a "nothing was going to prevent it, but could they have handled it any worse" situation, which for some reason I don't think will bother me as much if I do watch it.
I almost hope Ethan is wrong about The Corpse Bride and the Wallace & Gromit movie's potential to bring about a stop-motion renaissance. Right now it's practically guaranteed that any use of stop-motion is going to result in a really good movie, as Burton and Nick Park are the only quasi-mainstream directors working extensively in the medium. I'm worried that lesser talents deciding to follow suit will dilute the impact of the art form.
as Burton and Nick Park are the only quasi-mainstream directors working extensively in the medium.
And Henry Selick, who did do the sea creatures in Aquatic Life of Steve Zissou, and has Coraline in pre-production.
Well, if Neil Gaiman trusts him, he can join the club.