I don't think that's how he was counting (Strangelove was nommed for 4 Oscars) -- but rather that Sellers was three characters

Oh, my bad. I haven't seen Strangelove in a while.

Oh, my bad. I haven't seen Strangelove in a while.

That's a situation that's well worth rectifying. It holds up astonishingly well for a piece of satire (which I find tends to date quickly, unless it's really well done). Just goes to show you that chuckledheaded behavior from politicians, bureaucrats and military people never goes out of style.

I've been meaning to watch it again since the fustercluck post-Katrina. I have a feeling it will feel completely relevant.

God I love that movie.

I've been meaning to watch it again since the fustercluck post-Katrina. I have a feeling it will feel completely relevant.

I tried that after 9/11, and it almost wasn't the good kind of funny. Almost.

I've watched it since 9/11 and can wholeheartedly agree with Jessica's assessment.

I tried that after 9/11, and it almost wasn't the good kind of funny. Almost.

I've watched it since 9/11 and can wholeheartedly agree with Jessica's assessment.

Yeah, that doesn't surprise me one bit. I think I deliberately avoided it after 9/11 for that very reason. Katrina seems more of a "nothing was going to prevent it, but could they have handled it any worse" situation, which for some reason I don't think will bother me as much if I do watch it.

I almost hope Ethan is wrong about The Corpse Bride and the Wallace & Gromit movie's potential to bring about a stop-motion renaissance. Right now it's practically guaranteed that any use of stop-motion is going to result in a really good movie, as Burton and Nick Park are the only quasi-mainstream directors working extensively in the medium. I'm worried that lesser talents deciding to follow suit will dilute the impact of the art form.

as Burton and Nick Park are the only quasi-mainstream directors working extensively in the medium.

And Henry Selick, who did do the sea creatures in Aquatic Life of Steve Zissou, and has Coraline in pre-production.

Well, if Neil Gaiman trusts him, he can join the club.

From an interview with Neil:

**********

There is also an adaptation of Coraline that you’re working on with Henry Selick (A Nightmare Before Christmas).

With the wonderful Henry Selick. Yes. He’s written a marvelous script. I think they’re just waiting now. It’s with Bill Mechanic’s Pandemonium company. I think they’re just waiting for the last of Pandemonium’s financing to come together.

As I was reading the book, that was the exact image I had in my head of the story. It was a mix between Selicks’ “Nightmare Before Christmas” and Tim Burton’s book, Oyster Boy, if you’re familiar with that? When I saw that announcement, I thought it was a perfect match.

I think all of us; we are the bastard children of Edward Gory and Charles Adams. I really think that Henry is the perfect person to do this. People think of “Nightmare Before Christmas” as a Tim Burton film, and it is to some extent, but it was Henry’s film.

Did you approach him about Coraline?

He read the book pre-publication, I think. If I remember it correctly, when I gave the book to my agent, my film agent, I said, “here you go, I think we should send one to Henry Selcik and one to Tim Burton.” So we sent one to Tim Burton and one to Henry. I don’t Tim ever got it or read it and Henry read it within two days and phoned back and said “I want to make this.” So, finger’s crossed, he will.

Coraline Gets Funding - also with a link to Selick's short Moongirl.