If that's the criteria, we should start a campaign to get Plei to write the sequel.
Would Batbale have to wear clothing?
Spike ,'Get It Done'
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If that's the criteria, we should start a campaign to get Plei to write the sequel.
Would Batbale have to wear clothing?
After American Psycho you know the actor wouldn't object to doing without if the story called for it. Write the thing so he has to track down some villain in the Jamaican Hedonism resort.
What the fuck kind of sentence is that?
Is that Hoberman or Atkinson? Sounds more like Hoberman, and not untypical. Sadly, not a major variance with the VV house critical style - if it was about a CD I'd have guessed it was from Christgau's consumer guide.
Based on Tom Cruise's recent public meltdowns, I make the following prediction: War of the Worlds will be the bomb of the summer.
It's as involute as a Dennis Miller joke.
Which, is the funnest thign ever, when you can parse the joke (and it is not about his newfound republicanism), but just plain WTF and annoying when you can't. Excellent simile, David -- it made clear exactly what you meant.
Yes, this is two language commentaries in the Movies thread in two days. Because I, guiltily, am not watching movies. (I do have a couple of them at home, but they are sitting on the TV, disconsolate.)
Based on Tom Cruise's recent public meltdowns, I make the following prediction: War of the Worlds will be the bomb of the summer.
Crossing my fingers that it's so.
Join me in praying that Pendragon Pictures' period version of War of the Worlds makes it to our shores and shows Spielberg, Cruise, etc. how it's supposed to be done.
Ooh, that looks cool!
that's all I got....
Is that Hoberman or Atkinson? Sounds more like Hoberman, and not untypical. Sadly, not a major variance with the VV house critical style - if it was about a CD I'd have guessed it was from Christgau's consumer guide.
No, Frank, it was somebody named Ed Halter. I like Hoberman a lot. He writes sentences like these:
If anything, Café Lumiére suggests an Ozu film in reverse—it's mainly ambience "pillow shots," with bits of narrative serving as punctuation. Back in Tokyo after a stay in Taiwan, Hou's young protagonist Yoko (Japanese pop star Hitoto Yo in her first movie) is subdued and opaque as she reoccupies her microscopic apartment and re-establishes contact with her equally undemonstrative family and friends. No one is particularly voluble; the lengthiest conversations are conducted over the phone. The perverse eloquence of Café Lumiére lies in the way in which most things remain unsaid. Feelings are largely unexpressed, the better to surface in Yoko's dreams. These, it turns out, are largely mediated by Maurice Sendak's Outside Over There—the tale of a girl who rescues her baby sister from goblins—which Yoko realizes she read as a child.