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A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
The one with Harvey Keitel where she played the ex-cult member and was naked a lot and peed on camera was pretty bad. I forget what it was called.
Edit: The title was Holy Smoke.
The Life of David Gale was another stinker -- worse, even, than Holy Smoke, because HS is a bad artsy movie and LoDG is a bad message movie, and at least the artsy movie was mostly pretty to look at. (I've had the misfortune of seeing both.)
Talking of Natalie Portman, my little brother, who's visiting me at the moment, brought in his copy of Leon, a.k.a. The Professional, except with 20+ minutes longer European cut. Watched about half of it before keeling off to bed last night, and it's frankly unnerving how smoldering little 12-year-old Natalie is. The interaction between Leon and Mathilda may be sexually innocent, but it has this weird romantic charge to it all the same. I don't remember being this unsettled by it when I watched it the first time around. Hmmm.
Actually, the whole precocious barely pubescent girl/mentally and/or emotionally handicapped adult male thing reminded me a bit of Sunday and Cybele, [link] as well as this little-scene French-Canadian film called L'Enfant d'eau. [link]
I liked Holy Smoke. NSM the peeing, but women peeing is kind of unvoidable in Jane Campion films.
The interaction between Leon and Mathilda may be sexually innocent, but it has this weird romantic charge to it all the same. I don't remember being this unsettled by it when I watched it the first time around. Hmmm.
The extra 20 minutes add a lot of that to it. I remember seeing the weird charge on first view, but it was MUCH more unsettling when I watched Leon.
Really? Huh. Does Netflix have it?
Dunno: I own it, so I've never checked, but I expect they do.
was naked a lot
This was pretty much the only reason I watched that movie. Seemed like standard-issue Campion, but naked Kate Winslet was ok by me.
it's frankly unnerving how smoldering little 12-year-old Natalie is
I recently read Lolita finally (which was utterly phenomenal, by the way, as rich as prose gets) and commented to a friend that it was a crime against literature that Portman turned down the role of Lolita in the 1997 film. When you're reading the book, his description of his little lover, both physically and, well, I guess emotionally isn't the right word, but in the way he describes her sexual vibe, is exactly little Mathilda in Léon.
ETA: I meant to mention that with that image, it's a lot harder to completely hate Humbert Humbert, because, frankly, little Natalie is so incredibly tempting there. Which isn't to say the character isn't incredibly depraved and didn't deserve to go to jail for eight billion years, because he did, but still... it helps with the empathy.
Saw Sin City tonight and was really pretty eh on it. It's visually stunning, but the plots kind of suck, and most of the dialog really sucks because it sounds like it was written by a disturbed twelve-year-old with serious issues. Of course, most of Frank Miller's comics kind of read like they were written by a disturbed twelve-year-old with issues with a capital ISSUES, so that's to be expected. Some parts were okay, some parts were funny, the acting was really scattershot, but overall I was really only impressed with the visuals.
The interaction between Leon and Mathilda may be sexually innocent, but it has this weird romantic charge to it all the same. I don't remember being this unsettled by it when I watched it the first time around. Hmmm.
The extra 20 minutes add a lot of that to it. I remember seeing the weird charge on first view, but it was MUCH more unsettling when I watched Leon.
The extra twenty minutes really takes it from a weird charge into seriously uncomfortable territory, making it a much better film, in opinion. I like both of them, but like Leon best.
Of course, most of Frank Miller's comics kind of read like they were written by a disturbed twelve-year-old with issues with a capital ISSUES, so that's to be expected.
Snerk. Yeah, umm... I've noticed on my f-list (and other comics fans have noticed the same thing) that the more familiar with Frank and his issues one is, the more one tends to be mixed-to-eh on the movie.