Spike is the one people may have heard of - bear in mind that Angel was never shown properly on terrestrial TV here.
Might that also explain Dick Van Dyke's reputation?
Brando and Reeves have both done quite a few films, and I'm sure they're known in the UK for work other than the bad accents.
OTOH, Dick Van Dyke is mainly known (even in the U.S.) for the TV show and MP. If the show didn't make the crossing, he doesn't have much else to be known for.
Mary Poppins and Chitty Chitty Bang Bang.
OK, two movies where he played English characters. And IIRC, he didn't exactly have a good accent in CCBB, either.
Hot Fuss
isn't doing well?
I guess that's not the point. It's arguable that Reeves's accent in Dracula isn't recognizable as human speech, but I haven't seen Mary Poppins in a while.
I saw both
Sin City
and
Upside of Anger
during the weekend. I enjoyed
Sin City,
although I was perhaps not as transported by it as other people have. The sheer pulpiness of it all got to be a bit too much after a while, and the Bruce Willis segment had me going
"eww! She was friggin' 11 years-old when you last saw her, you perv!".
I didn't find the gore that bothersome because it was so stylized--much less than the extent I was bothered by Kill Bill anyway. What I liked the best were the flashes of ultra-morbid humor, which was why I liked the Marv segment and the whole give-and-take between Clive Owen and Benicio Del Toro's characters.
Upside of Anger
had some terrific performances, but it kind of fell apart at the end due to its dubious conceit. NYT review had said that the main "romance", such as it is, was like Crash Davis from
Bull Durham
(gone to seed) and Joan Allen's character from
Ice Storm
got together, which I thought was very apt.
To put it in perspective, while Reeves' hypothetical British accent was pretty bad, it got lost amidst Anthony Hopkins' fits of maniacal laughter, Gary Oldman's facial transformations, and Sadie Frost sailing about trailing yards of cloth like one of the martial artists in Hero.
Whereas in a move that had flying merry-go-round horses, kids jumping into chalk paintings, and Julie Andrews smacking down her nanny competition with a wind tunnel, people would overlook all the fantastical scenes to wince and say "Wow, is that accent BAD!"
I watched
A Tale of Two Sisters
last night. It's a Korean horror/psychological thriller. It was intriguing (is that right?). I liked it much better than
Ringu
or
Ju-On
(then again, I didn't really care for either of those). I thought this one was better because there was an actual story, and an interesting one at that.
Tsk. They don't mention one of my Best Accents of All Time: Miranda Richardson in The Prophet. She is indistinguishable from a Louisiana girl.