some musical comedy genre-inspired wacky misunderstanding or cover-up where Xander realized his guilt
Some patter song where he *tries* to tell somebody what's going on but everyone misunderstands or just talks over him.
Is it better the second time around? Or the third? Or tenth? This is the place to come when you have a burning desire to talk about an old episode that was just re-run.
some musical comedy genre-inspired wacky misunderstanding or cover-up where Xander realized his guilt
Some patter song where he *tries* to tell somebody what's going on but everyone misunderstands or just talks over him.
Some patter song where he *tries* to tell somebody what's going on but everyone misunderstands or just talks over him.
Yeah, that would have been excellent, and in character.
Some patter song where he *tries* to tell somebody what's going on but everyone misunderstands or just talks over him.I think his nervous patter, when he's walking down the street with Giles and Anya is supposed to be this, but it was insufficient without an earlier set up. Even if we'd just seen him push the amulet an inch on the counter, at the beginning, it would have worked better.
The absolute easiest fix - if they had given Xander Tara's "everything is turning out so dark" line in the Walk Through the Fire bit - right there, I could have bought it. But as it is, it still rankles.
This is great!
It is such a great episode though, and other than the set-up, so much happens in it, that I'm still large with the OMWF love.
cereal...
That is, his patter to Giles and Anya isn't supposed to be him trying to tell, but him trying to rationalize.
Isn't that a common trope in musicals though? Some wacky ending pulled out of the air (or ass) that neatly ties up the story? I've always thought Joss was giving a tip-o-the-hat to that trope.
Oh Jon. That's the best fanwank I've seen for Xander-summoned-Sweet, yet! I'm impressed.
The magic for me of OMWF is that Joss almost didn't sacrifice internal consistency and its place in canon to adopt the musical genre.
Such a clumsy asspull really eats into that.
If I'd wanted "just" a musical (not that I believe the unbelievable resolution is a requirement of the genre), I could get it elsewhere.
Some wacky ending pulled out of the air (or ass) that neatly ties up the story
A wacky ending doesn't quite fit, though, with everyone finding out they'd pulled Buffy out of heaven and Tara finding out Willow's been playing with her mind.
I'm impressed.
Thanks, but I didn't make that up. Someone else here suggested it at the time.
If I'd wanted "just" a musical
I agree that BtVS is best when it subverts the genre, not plays into it, but then the asspull didn't bother me as much as it seems to have bothered others.
Isn't that a common trope in musicals though? Some wacky ending pulled out of the air (or ass) that neatly ties up the story? I've always thought Joss was giving a tip-o-the-hat to that trope.
That's what I've always thought too. A little poorly executed deus-ex-machina as good fun.