She had prophetic dreams all the time, and they were fairly major plot points in "Nightmares"/"Prophecy Girl," "When She was Bad," "Surprise," "Graduation Day," and "Restless."
'Bushwhacked'
Buffy and Angel 1: BUFFYNANGLE4EVA!!!!!1!
Is it better the second time around? Or the third? Or tenth? This is the place to come when you have a burning desire to talk about an old episode that was just re-run.
They had dropped off considerably by Hush, and I can't think of many after that..
Hmm. Did she have one about Dracula specifically? I don't think she ever dreamed about Glory. And I'm pretty sure there were none in Season 6, though I thought at the time that must be a consequence of her resurrection.
There were Dracula dreams, but I am not sure if they came from him or from her Spidey sense.
Restless was the last major dream. In season 5, the dream or two she had seemed to be connected to Faith, or wait, was it Faith who had the dreams. Ugh, now I'm all jumbled.
Perkins, what was her Drac dream? I remember Drac echoed Tara's "You think you know..." lines, but I don't remember the Drac dream. He actually did come into her room when she was sleeping.
For season six, she had dreams in Dead Things, but I'm not sure if they were caused by whatever mojo the nerds were messing with, or if they were supposedly prophetic or also supposedly prophetic. She had a dream or two in season 7, also, right?
She dreamed about various Potentials dying in S7. IIRC, the first couple teasers were all about that. That was when the season still looked like it would rock.
Oh, that's right. She had that Run Lola Run dream, and then another. But after the Potentials were in the house, didn't she have a dream about the First Slayer? And there was the dream where Joyce/or the First-as-Joyce were talking to her.
Narratively, Joss always withholds commitment to a canonical reading until it yields maximum narrative payoff. In short, he will dick you around trying to figure out the worldbuilding rules, but will Joss you when it's convenient for him. The soul is one example.
Yeah but in this case I think he withheld committment when he needed to make it - the whole question of the relation of the possesion of a soul to the ability to make ethical choices. One obvious example (though a secondary one) was the whole inconsistent characterization of Spike. Admittedly the main problem here was keeping Spike going out of love for the character/actor when the narrative might have been better served by killing him. But even leaving Spike alive could have been done better; and I think the whole "nature of the soul" thing played a role in how badly and inconsitently Spike was characterized in later seasons. I agree that Buffy was more about character than world building. But the particular kind of ambiguity we had about the soul was a character NOT just a world building issue.
No, I agree he should've filled out that bit of his universe because it makes it a lot harder to judge his characters actions without knowing that.