How about diving straight in? You know, "It's July of 1815, and ever since Bonaparte's stunning victory at Waterloo etc. etc."...?
William ,'Conversations with Dead People'
The Great Write Way, Chapter Two: Twice upon a time...
A place for Buffistas to discuss, beta and otherwise deal and dish on their non-fan fiction projects.
Hm. I could do something like, "When Famous Name died in Premature Year, no one could have guessed that the death of such an obscure and insignificant young man would lead twenty-five years later to Event Y."
Yeah, I like that. I also think "What if" is okay and in the sci-fi tradition of describing alternate histories, but the "When So-and-so died" is grabbier.
Write whatever you have, MM! A scrap of dialog, a scene, an outline, whatever is in your head that is making you think the story could work. It doesn't have to burst full-grown from your forehead.
Pay no attention to the ideas I keep shoving over into the corner because I need to focus on doing laundry and unpacking. I want to read yours.
Is anyone interested in taking a look at my essay that's sort of about sex, but without very many Dirty Parts...it's for the feministing yes means yes anthology(Well, if they accept it) Deadline's in March, but I want a few weeks to polish it. Thanks!
Erika - if you want my take, my e-mail profile is good.
Cool...I'll finish writing the draft over the weekend and send it Monday. Thank you!
Has anyone heard of a book on screenwriting called Save the Cat, by Blake Snyder? My local RWA chapter is having him in to give a workshop, and I'm trying to decide if it'd be useful to me as someone who's not a screenwriter and has no aspirations to ever become one, but who is trying to write a page-turning adventure story.
You know what helps answer a question like that? Ask the person giving the workshop. If he is not a total jerk, he will answer honestly. And if he is a total jerk, there is a reasonable chance his reply will reveal it.
I haven't heard of it, Susan, but I don't know much about screenwriting either.
I think in terms of building a three-act story, though, the workshop could be really valuable. Because ten to one, he's not going to talk about script format but about story arcs.
Two verses about fear.
Why I Do What I Do
(and what it’s doing to me)
He said, "Two people I know were killed this weekend."
And I just nodded.
I asked him how it happened,
but not who, for fear I knew.
Thoughts On Introversion
He called with the invitation.
I declined, of course.
And then I lied with the reason
So he'd have something reasonable to say to them.
It wasn't until later that I realized
I couldn't go because I was still working.
But I'd given an excuse
Assuming I couldn't go because of fear.