(chanting) Jilli's in a mooo-ood, Jilli's in a mooo-ood!

Jilli doesn't want to stare at the design specs for the new version of the product she's working on.

Deb will gladly look at Jilli's design specs if it takes Deb's mind off how much she wants to run amok in the senate with her crossbow right now.

Deb, I'm planning on reading the manuscript this weekend--is that going to be too late?

Kristin, nope, not too late at all.

Photo 9

The matching collar and bag made the decision for me. Any girl who took the trouble to trick herself out like that played by the rules. She’d be polite, maybe a bit cautious, but she wouldn’t want to make a scene. She wouldn’t want to seem ungrateful. It wouldn’t be nice.

It was almost too easy, when I picked up a ticket receipt and asked if it was hers. She smiled, edging her glasses back up her nose, and I could see it all in that moment—the bar just outside the station, the alley beyond that. My car.

The end.

Brrrrr.

I can't think of anything for the other pictures. Anything that's not already been done. It's very frustrating.

for posterity

#3

Everyone knew eventually one of them would fill Annette's shoes.

Barb had insisted on the bash. "It's your responsibility, Hugh." What else did they have to do? One could only take so many tropical vacations.

Gloria pressed the camera into my palms. "Go on, dear, just snap a few. For posterity, you know." Her laughter rippled like her dresses.

Later they'd blame the alcohol. Barb's voice dropped when she was angry; Gloria's became shrill.

But when they had all gone, I cleared the glasses, emptied the ashtrays, tucked the children into bed.

Hugh was still sitting there. "Anita." I went to him. I always did.

Huh. What did I do with my link? Oh, left a space, huh?

Also, couldn't trim those last 10 words. Couldn't figure out what to do.

I've given up on the 100-word limit. But, I'm trying to make the drabbles as short as possible.

Photo #5

The Donna Messinger-Tofferdept "Little Girl Lost" mystery lingers to this day. In 1973, a young girl in a flannel nightgown was found crying in a Woolworth's toy department in Anaconda, Montana. No one in the town recognized her. Stating her name was Donna Messinger and that she was from Chicago, every attempt was made to reunite her with her family. However, not only was the Messinger family unable to be located, but the home address Donna gave was a deserted lot between two apartment buildings. After a blaze of publicity, she was identified as Donna Tofferdept, who had gone missing two years earlier from her family home in Worland-Ten-Step, Wyoming. Donna did not recognize the Tofferdepts, and insisted that her real family were the ones pictured in the photo that was clutched in her hand when she was originally found. While the photo did indeed show Donna, no one knew who the other three people were. Unable to accept the Tofferdepts as her family, Donna ran away from home when she was 14. She left a note saying that she had seen her brother, Butch, in a car going down the highway, and that she was determined to re-join her real family. The Tofferdepts, having no other children and blaming each other for Donna's refusal to believe she was their daughter, divorced three years later.