The example I always think of is "Roger and Me". Because nobody ever said "You know what I'm in the mood for? A movie about the collapse of a town after the departure of the auto industry." But Michael Moore had a story he wanted to tell, so it ended up being, imo, a great film.
'Sleeper'
The Great Write Way, Chapter Two: Twice upon a time...
A place for Buffistas to discuss, beta and otherwise deal and dish on their non-fan fiction projects.
erika, that's it. And the inverse is also true, I think: someone who doesn't know how to tell a story, who can't distill in a way that raises echoes, can take the most compelling story on earth and turn it into Yawnapalooza 05.
Been there, read that.
Been there, read that.
Yep. And the New York Times probably reviewed it.
Teppy! Topic, ma'am? It's Monday.
I could suggest "wang"...
Hunger and thirst?
Persistence?
The human voice?
Bad Teppy! Bad!
Challenge #84 (lost in translation) is now closed.
Challenge #85 is pose (and, of course, any variation thereof -- poses, posing, poseurs, strike a pose, etc.)
On The Cover of Rolling Stone
"Turn your head - perfect."
Click, light, another shot done. He's wearing a jacket: silver, lightning bolts up the sleeves. Damned thing weighs a ton, and he had dialysis two days ago. It's bright in here, too warm. He looks desperately tired.
"Almost done?" I want to cry. I don't usually come to shoots, but he's been ill. The photographer clicks away.
He catches my eye, and I smile. They'll airbrush the illness from his eyes, the exhaustion from his face. All a pose; whether or not the camera loves him, I'll take him home, and show him I do.
Good one, Deb.