wrong thread, la la la
Firefly 4: Also, we can kill you with our brains
Discussion of the Mutant Enemy series, Firefly, the ensuing movie Serenity, and other projects in that universe. Like the other show threads, anything broadcast in the US is fine; spoilers are verboten and will be deleted if found.
Umm I though thread drift was allowed in this one. It is continuing the Guscussion. But OK - it is getting a bit too large for just drift. If it contiues we will take it to natter.
I'm not mad, Gus. No worries.
No, Typo Boy, that was self-directed. I accidently posted my f2f photos in here.
I'm groping toward a full understanding, in the hope that the discourse here will lead to some clarity.
Can a work attract editorial acumen separate from a distribution channel? I think it can. Can a creator create without having to market? Can a creator create in a way that is not influenced by the marketing?
My suspicion is that the answers here are "Yes." We need a better way.
Can a work attract editorial acumen separate from a distribution channel?
Can, not a work, but a whole economic sector of creative work attract both editorial acumen and all the other support services art requires? Composition of art is often (not always) and individual act. (It depends on the type.) But art is not just about creation; it is about connection - with readers, with views, with an audience, with a public. Contrary to legend, heard melodies are sweeter.
I think it can. Can a creator create without having to market? Can a creator create in a way that is not influenced by the marketing
My suspicion is that the answers here are "Yes." We need a better way
It seems to me that your better way involves one of three alternatives.
1) The better way is within our existing economic system, and you intend that creators continue to be paid, and creative works receive the support of other workers that they need - layout and editing for books, and so forth. In that case you cannot eliminate marketing or responsiveness to markets. No economic sector in this society receives resources without marketing.
2) You intend to advocate for other economic change - a new economic system. All right. But in that case creative workers and the creative sector of the economy get paid for there labor and access to resources by whatever means other types of labor and other economic sectors receive those things. In other words resources remain finite; they have to justify getting a share of those resources - which will involve showing that they have readers/viewers/listeners/an audience/a public/whatever.
3) You intend to seperate creators from the economic system. In which case creation becomes a hobby, or perhaps exists at the mercy of powerful patrons.
In short creative work may be replicable very cheaply once completed. But it takes labor to create it , and labor to let the public know it exists.
Can a creator create without having to market?
Yes. After s/he gets home from the day job, which is probably even more soul-sucking than having to suck up to studio execs. At least under the current economic system. Make sure to put the Fox execs up against the wall in the same round as the tobacco lobbyists.
Dang. I'm in the middle of a Marxist argument about creativity and labour.
I did not want be here. I wanted be in a place where people with editorial skills were not relegated the rank of "labor". I wanted to be in a place where we are all of us creators and consumers are humans, whole and entire.
You know, Gus, when I worked in magazines my big epiphany was simply, "Wow, distribution is a tiny bottleneck." And then people found new ways to distribute - like the mail trees of zines, and then the internet.
So, to me, things look wayyyyy better as far as distribution goes compared to what it was just a couple decades ago. Somebody can post their flash animation or homemade video and have instant viewers right now. Before your best bet was an animation festival or film fest.
I wanted to be in a place where we are all of us creators and consumers are humans, whole and entire.
It wasn't that long ago when most folks were very adept craftsman of one sort or another. I think we're riding the tail end of an historical blip called "industrialization" where that's been devalued.
Joss and Tim are majillionaires. So the creative people responsible for the stuff are making money they much deserve. It's not like FOX got fat while Tim and Joss were eating Top Ramen and begging for spare change.
It's as it should be.