I love Picard ("I see four lights," anyone?), but Q really had his number.
Picard's got my number.
Kaylee ,'Shindig'
[NAFDA] Spike-centric discussion. Lusty, lewd (only occasionally crude), risque (and frisque), bawdy (Oh, lawdy!), flirty ('cuz we're purty), raunchy talk inside. Caveat lector.
I love Picard ("I see four lights," anyone?), but Q really had his number.
Picard's got my number.
Owen and I are getting ready to take DH to the airport. He's got three days of work down in Gainesville. It sucks. We miss him already.
Picard's got my number.
You wish. I always loved that Patrick Stewart was obsessed with Reba McEntire.
Really? Why is that funny? In a "how cute," way. Ringo had that whole Buck Owens thing.
I miss Bashir's Bond fantasies. "Kiss the girl, get the key. They never taught me that in the Obsidian Order."
edit: And the Trekkers creep out into the light.
Nothing beats the Kirk-Spock-McCoy triumvirate, though. Nothing.
Though Scotty's appearance on TNG came close. "I was always a wee bit conservative on paper."
You wish. I always loved that Patrick Stewart was obsessed with Reba McEntire.
God, do I ever. I can have red hair and sing country music, though.
I'd give Picard my number, only I already know it would end tragically. The whole Roddenberry trope that true love is somehow antithetical to one's duty means that I'd either have to die tragically or turn out evil. Or hmm, I could just end up not being his true love. Okay, that'd work for me.
The whole Roddenberry trope that true love is somehow antithetical to one's duty means that I'd either have to die tragically or turn out evil
I got the impression that it was more true love was antithetical to series TV, and splitting couples is good, cheap drama.
For people who want to be spoiled for Project Runway -- I hear that NYMetro.com has the finalists and their lines in their Fashion Week Coverage.
I haven't looked because I don't want to be spoiled.
I got the impression that it was more true love was antithetical to series TV, and splitting couples is good, cheap drama.
That's the main reason true love goes kablooey in most tv series, but with Roddenberry, it usually ended up in one of two ways, and there was always a crisis over duty thrown in to boot. (Okay, not ALWAYS--see Troi and Riker--but often enough to be noticable.)