Hey, man, where are my pants? I have my hippo dignity!

Oz ,'Bring On The Night'


Lost: OMGWTF POLAR BEAR  

[NAFDA] This is where we talk about the show! Anything that's aired in the US (including promos) is fair game. No spoilers though -- if you post one by accident, an admin will delete it.


quester - Feb 23, 2005 6:12:50 pm PST #6406 of 10000
Danger is my middle name, only I spell it R. u. t. h. - Tina Belcher.

I just wish my brain had been capable of learning more than one language. Thank you Vonnie!


Polter-Cow - Feb 23, 2005 6:31:01 pm PST #6407 of 10000
What else besides ramen can you scoop? YOU CAN SCOOP THIS WORLD FROM DARKNESS!

It's up.


Kalshane - Feb 23, 2005 6:35:07 pm PST #6408 of 10000
GS: If you had to choose between kicking evil in the head or the behind, which would you choose, and why? Minsc: I'm not sure I understand the question. I have two feet, do I not? You do not take a small plate when the feast of evil welcomes seconds.

Dying of laughter over the discman running out of juice during the closing montage.

It was funny. But I could have sworn someone here called it the first or second time they did the montage thing.

I wonder what's up with Hurley -- did it look like there were military men around him? Or maybe police?

All I remember seeing is Hurley waving to the camera, then climbing into a car.


DebetEsse - Feb 23, 2005 6:49:46 pm PST #6409 of 10000
Woe to the fucking wicked.

It makes me sad for Hurley, though.

I don't think Walt could have set a very effective fire without supernatural help. (Also, I thought it was him from the start.)

I keep having thoughts along the lines of "These people are on the island together because, between them, they have everything each of them need to heal" I'm sure there's more than that, though


le nubian - Feb 23, 2005 6:55:19 pm PST #6410 of 10000
"And to be clear, I am the hell. And the high water."

This is definitely "work out your issues Island."


arby - Feb 23, 2005 7:25:58 pm PST #6411 of 10000
Guy #1: Man, there are so many hipsters around. I hate hipsters! Guy #2: You're at the wrong place. That's like going to Vegas only to say "I hate titties!" --The Warsaw, Williamsburg (OINY)

Dude. I totally called it being Walt who set the fire. Something about the way he reacted to Michael's saying he was going to build a new raft. Also Locke's speech was too dramatic - all the arm-waving, like "look over here!"

That ep was kickass. Not as good as last week but easily as good as House of the Rising Sun. Agree about DDK being a great actor - even though I didn't want to feel sorry for Jin, when he looked at the little girl crying after he beat up her dad, I couldn't help myself.

My biggest beef with Jin as a character is why didn't he run off with Sun when he had the chance? Surely he knew her father was going to ruin their life? Of course, it's easy for me to say in retrospect.

Also, if Jin really doesn't understand English, how the hell did he understand it when Sun said, "I was going to leave you" etc. in English??

Also, LordoftheFlies!Sawyer? Hottt.

ETA PS heeeee:

[Jin] says they'll have the honeymoon they dreamed of. You know, the one on a deserted island inhabited only by polar bears and bloodthirsty nutjobs and scantily clad whiners. SIGN ME UP.


DebetEsse - Feb 23, 2005 7:34:40 pm PST #6412 of 10000
Woe to the fucking wicked.

I don't think he did understand Sun. I think that's why she said it in English.


arby - Feb 23, 2005 7:38:20 pm PST #6413 of 10000
Guy #1: Man, there are so many hipsters around. I hate hipsters! Guy #2: You're at the wrong place. That's like going to Vegas only to say "I hate titties!" --The Warsaw, Williamsburg (OINY)

Ooooh. Good call - makes it so much more interesting. But maybe he already put 2 & 2 together because why would she go to all the trouble to learn English AND keep it a secret from him if she wasn't plotting something like running away to make a new life in some English-speaking country?

The beach! Trombones of danger! THUD! Jin in the sand. "[MERCUTIO]! TAKE IT EASY!" Jack and Hurley are trying to mediate and Charlie runs out in his hoodie like the Unabassist.

Damn, cleo's on tonight!

ETA sorry I can't help myself:

Sayid and Shannon are eating some fruit and he's touching her hair and oh, vom. I am torn between thinking that this whole pairing is very cute and thinking that I'd like to beat Snicker Bitch to death with her own bottle of Hawaiian Tropic.


§ ita § - Feb 23, 2005 7:57:41 pm PST #6414 of 10000
Well not canonically, no, but this is transformative fiction.

I despise Shannon/Sayid more and more.

I didn't think that the discman crapping out was funny. I actually thought it was very sad. And a lovely segue into the shedding wrap.

Bloody Jin was cute. Jin with sunglasses on ... I gotta go to lost-media and see if I can get that for my bunk site.


Jeff Mejia - Feb 23, 2005 8:21:18 pm PST #6415 of 10000
"Don't think of yourself as an organic pain collector racing towards oblivion." Dogbert to Dilbert

Here is the promo breakdown for next weeks Lost episode...

Narrator: Next Wednesday...

We open on a long shot of Hurley trudging along the shore.

Fade to black, then fade in on the camp. We see many people walking around. Boone strides in the foreground, Jack and Charlie are in the center, and others are further back, standing by some trees. Jack and Charlie are facing the camera as they walk from left to right.

Jack: "Sayid! You ready?"

Switch angles to from behind Sayid as he strides through the camp. Locke is in the middle distance, tending a fire. Sawyer is in the far distance, walking in the direction that Sayid is walking towards (presumable out of the camp). Sayid turns and looks towards the camera as he walks.

Narrator: A search to uncover the mysteries of the island...

Cut to a scene of Hurley and Charlie hacking their way through the jungle.

Fade to a shot of Sayid and Jack standing in the jungle, with Sayid looking alert, and Jack looking at him, waiting.

Cut to a shot of Charlie standing with his back to the jungle, standing near a tree stump, as he looks out.

Charlie: "Guys, you should come see this."

Cut to Sayid walking up in the jungle, while Jack is reaching into his backpack to get something out of it.

Fade to black, then fade in on Sayid now standing beside Charlie, and Hurley just coming up to them.

Sayid (VO): "This poses somewhat of a problem."

Reverse to reveal a rickety wooden bridge crossing a ravine. One rope railing is on the left side.

Hurley: "Woah."

Cut to a close up of Charlie as he starts forward to cross the bridge.

Narrator: ...tuns into a desperate attempt to stay alive.

Switch to an angle from below the bridge, as we see Charlie carefully picking his way accross.

Pull further down the ravine to see that Charlie is about at the middle of the bridge. The separation between the wooden slats is very evident.

Cut to a close up from just under the bridge, as we see Charlie's feet as they step onto different planks.

Sayid (OS): "Don't move!"

Cut to a shot of the bridge snapping in half.

Cut to a close up of Jack as he shouts.

Jack: "CHARLIE!"

We see Charlie diving through the end "gate" of the bridge. Hurley tries to catch him.

Cut to another close up of Jack shouting.

Jack: "Hurley, stay put!"

Switch to a shot of Hurley standing in the jungle. He has his head wrapped in a makeshift bandanna. He is looking intently upwards, then lowers his eyes and ducks down.

Cut to a close up of Sayid, screaming.

Sayid (OS): "Down!"

We see a close up of a bunch of wooden spikes swinging across the screen.

Pull back to see Huley diving to the ground as a huge timber covered with spikes comes swinging down on ropes from above.

Cut to a close up of someone's leg breaking a tripwire.

Cut to a close up of Sayid shouting.

Sayid: "JACK!"

Pull back from behind Sayid, as we see Jack standing in front of him. Jack turns around to look at Sayid. In the distance, we can see the mountains, but that view is quickly obscured by the vast explosion that goes off.

Fade to white, then fade in on Hurley, standing alone in the jungle.

Hurley (whispering): "Is someone shooting at us?"

Fade to black, then fade in on Hurley motoring through the jungel as though he is being chased.

Cut to a close up of Hurley as he pulls up short, then we hear a clacking noise, and someone shoves a rifle or shotgun close to Hurley's face.

Hurley: "Ohhh!"

Fade to black, then cue the Lost logo.

Narrator: An all-new Lost, next Wednesday at 8, 7 Central, only on ABC.

Bad Robot.

ELAPSED TIME - 0:30