Wolfram - I actually can't find where the natter line was stompy supported. Seems the other way to me. There might be another segment of the discussion, but here's what I found:

P.M. Marcontell "Voting Discussion: We're Screwing In Light Bulbs AIFG!" Jul 7, 2004 3:59:59 pm PDT

Betsy HP "Voting Discussion: We're Screwing In Light Bulbs AIFG!" Jul 7, 2004 4:55:21 pm PDT

M-W lists both spellings, so I didn't change the spelling when I cut and pasted the language, though, yeah, I spell it with one "s," too.

I like the paired books idea, too, but understand if it's unworkable. I don't like the idea of doing Select The Selector all the time ('cause I think it'll turn into a popularity contest), but in moderation (as David suggested, such as every 4th time), I think it'll work.

I've been holding off on suggesting books, because I haven't been a part of a book club in the past and don't know what would be a reasonable book to suggest. That said, some of the books my wife's read in book clubs (that I've also liked) include:

• The Intuitionist by Colson Whitehead

Amazon: Verticality, architectural and social, is the lofty idea at the heart of Colson Whitehead's odd, sly, and ultimately irresistible first novel. The setting is an unnamed though obviously New Yorkish high-rise city, the time less convincingly future than deliciously other, as it combines 21st-century engineering feats with 19th-century pork-barrel politics and smoky working-class pubs. Elevators are the technological expression of the vertical idea, and Lila Mae Watson, the city's first black female elevator inspector, is its embattled token of upward mobility.

Lila Mae's good ol' boy colleagues in the Department of Elevator Inspectors are understandably jealous of the flawless record that her natural intelligence and diligence have earned, and understandably delighted when Number Eleven in the newly completed Fanny Briggs Memorial Building goes into deadly free fall just hours after Lila Mae has signed off on it, using the controversial "Intuitionist" method of ascertaining elevator safety. It is, after all, an election year in the Elevator Guild, and the Empiricists would do most anything to discredit the Intuitionist faction. Everyone on both sides assumes that Number Eleven was sabotaged and Lila Mae set up to take the fall. "So complete is Number Eleven's ruin," writes Whitehead, "that there's nothing left but the sound of the crash, rising in the shaft, a fall in opposite: a soul." Lila Mae's doom seems equally irreversible.

Whitehead evokes a world so utterly involving to its own denizens that outside reality does not impinge on its perfect solipsism. We the readers are taken hostage as Lila Mae strives to exonerate herself in this urgent adventure full of government spies, underworld hit men, and seductive double agents. Behind the action, always, is the Idea. Lila Mae's quest reveals the existence of heretofore lost writings by James Fulton, father of Intuitionism, a giant of vertical thought, whose fate is mysteriously entwined with her own. If she is able to find and reveal his plan for the Black Box, the perfect, next-generation elevator, the city as it now exists will instantly be obsolescent. The social and economic implications are huge and the denouement is elegantly philosophical. Most impressive of all is the integrity of Whitehead's prose. Eschewing mere cleverness, resisting showoff word play, he somehow manages to strike a tone that's always funny, always fierce, and always entirely respectful of his characters and their world. May the god of second novels smile as broadly on him as did the god of firsts. --Joyce Thompson

• My Year of Meats by Ruth Ozeki

Amazon: Veteran filmaker Ruth Ozeki's novel has been hailed as "one of the heartiest and yes, meatiest debuts in years" (Glamour). It tells the story of a year in the lives of two ordinary women on opposite ends of the earth, brought together by a convergence of extraordinary circumstances. Jane, a struggling filmmaker in New York, is given her big break--a chance to travel through the U.S. to produce a Japanese television program sponsored by an American meat exporting business. But along the way, she discovers some unsavory truths about love, honor, and a particularly damaging hormone called DES that wreaks havoc with her uterus. Meanwhile, Akiko, a painfully thin Japanese woman struggling with bulimia, is being pressured by her child-craving husband to put some meat on her bones--literally. How Jane's and Akiko's lives intersect taps into some of the deepest concerns of our time--how the past informs the present and how we live and love in an ever-shrinking world.

• House of Sleep by Jonathan Coe

Amazon: The House of Sleep is an intricate cat's cradle of a novel, full of both sly satire and oblique meditations on the interstices of love, sleep, memory, and dreams. The setting is Ashdown, a wind-swept old house by the sea that once provided university housing and now is home to a clinic for sleep disorders. During the early 1980s, a group of students meet here, united by little other than a curious preoccupation with sleep. They include Sarah, a narcoleptic who has trouble distinguishing her intensely vivid dreams from reality; her first boyfriend, the fussy egomaniac Gregory, who gets his kicks from pressing his fingers on Sarah's closed eyes; Terry, a film buff who sleeps at least 14 hours a day, dreaming blissful dreams he can never quite remember; and the sensitive Robert, who loves Sarah enough to do anything at all in order to have her. By a series of startling coincidences, the four are drawn back to Ashdown 12 years later, setting into motion a plot so carefully contrived it makes most thrillers look spare and impressionistic. Like a dream, The House of Sleep resonates with repeated images, phrases, even passages; here they serve as narrative glue for a complicated story that moves backward and forward in time and in and out of different points of view. The result is sometimes puzzling, always absorbing, and often very funny indeed.

Sorry, cut off.

I'd like to recommend, because it's one of my favorite books:

• Pale Fire by Vladimir Nabokov

Amazon: Like Lolita, Vladimir Nabokov's Pale Fire is a masterpiece that imprisons us inside the mazelike head of a mad émigré. Yet Pale Fire is more outrageously hilarious, and its narrative convolutions make the earlier book seem as straightforward as a fairy tale. Here's the plot--listen carefully! John Shade is a homebody poet in New Wye, U.S.A. He writes a 999-line poem about his life, and what may lie beyond death. This novel (and seldom has the word seemed so woefully inadequate) consists of both that poem and an extensive commentary on it by the poet's crazy neighbor, Charles Kinbote.

According to this deranged annotator, he had urged Shade to write about his own homeland--the northern kingdom of Zembla. It soon becomes clear that this fabulous locale may well be a figment of Kinbote's colorfully cracked, prismatic imagination. Meanwhile, he manages to twist the poem into an account of Zembla's King Charles--whom he believes himself to be--and the monarch's eventual assassination by the revolutionary Jakob Gradus.

In the course of this dizzying narrative, shots are indeed fired. But it's Shade who takes the hit, enabling Kinbote to steal the dead poet's manuscript and set about annotating it. Is that perfectly clear? By now it should be obvious that Pale Fire is not only a whodunit but a who-wrote-it. There isn't, of course, a single solution. But Nabokov's best biographer, Brian Boyd, has come up with an ingenious suggestion: he argues that Shade is actually guiding Kinbote's mad hand from beyond the grave, nudging him into completing what he'd intended to be a 1,000-line poem. Read this magical, melancholic mystery and see if you agree. --Tim Appelo

Oooh! I was going to suggest The House of Sleep! It's a fantastic book.

My Year of Meats by Ruth Ozeki

I read this for my Gen X class. Great book.

hayden, I've heard wonderful things about The Intuitionist.

Oh yeah! All three of the modern litfic books were great reads, engrossing, sometimes funny, and full of little nuggets of illumination. The Nabokov is also about as much fun of a read as I can imagine, as Kinbote is the ultimate unreliable narrator and the novel has an, um, unusual structure. Perhaps the thing to do there is to read it and Mary McCarthy's essay about it, A Bolt From The Blue, subsequently.

Also, because I didn't include any Lethem or Crace or Pynchon:

• Girl In Landscape by Jonathan Lethem (although Motherless Brooklyn would also be a great read again)

Amazon: Science-fiction writers attempting coming-of-age stories have seldom risked showing the stew of loneliness, anger, and angst that really characterizes adolescence. Jonathan Lethem, on the other hand, avoids the plucky sidekick syndrome and instead gives us breathtakingly realistic Pella Marsh, a girl at that awful and wonderful crux in her life just before people start calling her "woman." Her broken family has just moved to a newly settled planet, with strange and passive natives and the decaying remnants of a great civilization. Something in the alien environment soon enables Pella to telepathically travel, hidden in the bodies of inconspicuous "household deer," into the homes of her fellow settlers. She inevitably discovers the seamy side of humanity--loss of innocence eloquently portrayed. Don't read this book on a dark day, as there's not very much sunshine in here. The entire planet is covered with ruins: ruined towns, ruined hopes and dreams, ruined families. For a rare dose of SF realism, this is a fantastic read, full of raw (but not explicit) sexuality and the unhappy hierarchies of childhood. Forget about cheerful settlers moving in next door to helpful indigenous life forms. This is what the planetary frontiers will be. No matter how far away from Earth we may travel, we'll still be the same dirty, disappointing, beautiful monsters.

• The Devil's Larder by Jim Crace (although Being Dead and Quarantine are recommended, too)

Amazon: In The Devil's Larder, Jim Crace has put together an odd and artful little volume that encompasses more of the human experience than it really ought to, given its size and scope. Crace presents us with 64 short fictions about food, which add up to a picture of life that is at once diabolical and innocent, creepily sexualized and free of judgment. In one fable, a mother and her small daughter twist their tongues together, ferreting out the food in each other's mouths: they want to know if food tastes the same from another person's tongue. A game of strip fondue ends with guests covered in burns where the molten cheese has fallen onto their naked flesh. "A gasp of pain. The whiff of sizzling flesh and hair and cheese." Flesh and cheese, that's the stuff. Crace shows us the odd outer limits of desire, and revels in the sheer weirdness of the daily act of eating. --Claire Dederer

• Vineland by Thomas Pynchon

Amazon: Pynchon's first novel since the formidable Gravity's Rainbow (1973) more closely resembles his earlier work, especially The Crying of Lot 49 (1966). (In fact Mucho Maas, the ex-husband of Lot 49 's heroine, reappears in the new book.) Vineland, a zone of blessed anarchy in northern California, is the last refuge of hippiedom, a culture devastated by the sobriety epidemic, Reaganomics, and the Tube. Here, in an Orwellian 1984, Zoyd Wheeler and his daughter Prairie search for Prairie's long-lost mother, a Sixties radical who ran off with a narc. Vineland is vintage Pynchon, full of quasi-allegorical characters, elaborate unresolved subplots, corny songs ("Floozy with an Uzi"), movie spoofs (Pee-wee Herman in The Robert Musil Story ), and illicit sex (including a macho variation on the infamous sportscar scene in V. ). Pynchon fans have waited 17 years for this novel, and they won't be disappointed. An essential purchase. - Edward B. St. John, Loyola Law Sch . Lib., Los Angeles

A personal note on Vineland: It's not Pynchon's best work, but it's easily his funniest and probably the most accessible. I'd love to hear what y'all think about it.

Also, if it's greedy to suggest this many books, I'll gladly withdraw any of the above.

Wolfram - I actually can't find where the natter line was stompy supported. Seems the other way to me.

After it was pointed out that discouraging natter is against the FAQ in spirit if not in letter, Hec suggested a more positive spin on it.

Here's Hec's natter line: "While natter will inevitably happen, we encourage you to treat this like a virtual book club and try to keep your posts in that spirit."

I said I'd take the discouraging natter line out of the proposal and suggested we use Hec's language in the slug.

I guess I assumed because nobody objected to this it had the tacit approval of the stompies. But in re-read that may not be the case.

Then again, if someone objects to the desciption, that will likely come up in Burea when we ask for the slug, descrip. and subtitle. So, David's amended description, then?

I'll third Strega's nomination for The Good Soldier--read it for my modern lit class, and it's good for provoking great discussion about POV!