I found the initial framing in Delovely OK. I like Jonathan Pryce, and the aging effects for Kline were well done. But the various cuts back and forth between time periods distracted me from the story. I didn't need Cole Porter to tell us something in the past was sad/disturbing/wonderful.
The
cuts back and forth really yanked me out of the story.
To me it was too jarring.
The Gabrielle's Trumpet piece didn't work for me either, although it was nice to hear JP sing a line or two.
I wasn't crazy about that scene, though it was nice to see how Kline
played Porter's reaction to seeing all these people from his past, who apparently could see him at that point. Particularly his friends' kids -- that actually made me teary.
One thing that I really didn't like was the way the flashback part of the story used the music -- sometimes it
was integrated into one of his shows, which worked *really* well for me, and then sometimes the scene turned into a fantastical scene out of a musical, like the "Be A Clown" number. And that *didn't* work for me.
I really wanted the movie to
pick one genre and stick with it.
But the end, where CP's final heavenly destination seems to be just sitting with Lily at the piano, noodling around with the music, really worked for me.
Oh my God. That made me cry. It was so beautiful.
Oh my God. That made me cry. It was so beautiful.
Oh, yes. Me too. And it seemed so true to how CP was portrayed throughout the movie. The idea that Porter deeply loved Lily, even though he was strongly sexually attracted to men, was something that I really liked. So often movies show love as some all-encompassing package -- to love someone is to lust after that someone is to be totally happy with that someone. I liked how the movie showed love as much more complex than that.
Sexy actress Halle Berry counts the skintight catsuit she had to wear for Catwoman as the "true highlight" of making the movie. The Oscar-winning beauty enjoyed slipping into the sassy outfit for her feline character on a daily basis. She says, "(The suit was) the highlight of the whole movie experience. It was empowering. Besides the obvious sex appeal, it really takes a certain level of confidence to pull it off. We all have physical flaws, but you can't hide them when you're wearing it." But fans hoping to get their hands on the outfit which adorned her curvaceous body are in for a disappointment as Berry plans to keep it for herself. She explains, "It's mainly because I didn't want it to end up on eBay." And Berry is also unsure whether her movie outfit will spark any kind of fashion frenzy, adding, "They've always been in fashion, but they come and go. They're not the most practical thing to go around wearing."
IMDb tells me that Theresa Rebeck has a story credit. She wrote
Spike Heels
! She's a respected playwright! What the hell is she doing?!
She's a respected playwright! What the hell is she doing?!
At a guess? Weeping bitterly.
God, people toss around the word "empowering" in the strangest ways. I would have said "capering around like an idiot in impractical clothes." Yet, to Halle -- "empowering."
She's a respected playwright! What the hell is she doing?!
Laughing all the way to the bank?
"We all have physical flaws, but you can't hide them when you're wearing it."
Nope. That's what CGI and airbrushing are for.
I sacrifice myself so that others may be warned.
Jessica, I'm grateful for your sacrifice, but it was so unnecessary. This was like standing too close to Bikini Atoll to be able to tell us that nuclear war is a bad idea.
That said, I think I'm going to look for a theater where De Lovely plays about the same time as Catwoman so my money can go to the former while I observe the train wreck.
Is it just me, or do these kinds of stinkwads come from Warner more than the other studios? (see: Earth, Battlefield)
I think as long as Warner has the HP series, they'll get by.
