What's entertaining is how so many of Wong's movies have no plot, or only a tiny bit of one, and move forward on the basis of mood and emotion. This can be hilarious and sweet, as in Chunking Express, and this can be 2 hours of melancholy longing and anomie, as in the one set in 1960s Hong Kong whose title I've forgotten.

Actually, based on advance press for 2046, I am seeing a trend away from hilarity and toward anomie. I do tend to prefer the hilarity, or anyway the instance of it in Chungking Express.

and this can be 2 hours of melancholy longing and anomie, as in the one set in 1960s Hong Kong whose title I've forgotten.

IN THE MOOD FOR LOVE, perhaps?

2 hours of melancholy longing and anomie, as in the one set in 1960s Hong Kong whose title I've forgotten.

yes, In the Mood for Love, one of my favorite movies ever.

Excellent for when you just need some good wallowing.

I am seeing a trend away from hilarity and toward anomie. I do tend to prefer the hilarity, or anyway the instance of it in Chungking Express.

He needs to recapture a bit of that. Have you seen the sorta sequel, Fallen Angels? Has a nice mix of both. You may want to stay away from 2046, or just watch for the huge amount of pretty and seeing Tony be a hot rake.

But yeah, I think everyone is a bit tired of WKW being stuck in the sad "pretty people being in badly timed all consuming messed up love is so entrancing" thing.

But he claims he's done with all that as of 2046. Though I loved it, I love wallowing in WKW, but I hope he's done. I'm ready for him to move on.

I haven't seen either of his two latest. I work at the speed of Netflix.

(Speaking of which, I expect to get Infernal Affairs next week. All hail international DVD releases, since I think that one was in theatres in New York only, and for exactly ten days.)

I agree with everything you guys are saying about WKW (and I also think that Tony Leung Chiu-wai is one of the greatest actors around). I rented ItMFL a few months ago and I've been on a Wong Kar-wai kick ever since. He really doesn't have any bad movies - even one which I didn't love love like Days of Being Wild (which is actualy playing in theaters right now) had some really beautiful scenes. I think ItMFL and Fallen Angels have been my favorites so far.

What I like about him is that even though he's legendary for his style (jumpy, artsy, and chronologically messy), I think he's more brilliant at getting to the heart of the loneliness in his characters. He focuses on missed connections, and people falling in love at the wrong time, and just being lost in one way or another. I think his movies are much more accessible and easy to relate to than most hollywood films because who doesn't feel lonely and screwed up?

Nutty, that scene with the tape recorder was my favorite in the film. It just about broke me.

All hail international DVD releases, since I think that one was in theatres in New York only, and for exactly ten days.

Is the whole trilogy being released, or just the first one?

Just the first one, I think; or anyway, this is a single DVD, so only what fits in 2-3 hours. Maybe the rest of it will come out some day, under another title.

He focuses on missed connections, and people falling in love at the wrong time, and just being lost in one way or another.

Speaking of, we saw Sideways last night. What a wonderfully crafted little film.

Back to WKW and Tony Leung Chiu-Wai talk.

We rented Infernal Affairs last week, and I really enjoyed it. Lovely performances all around, and a couple of moments that had me gasping for one reason or another.

Infernal Affairs is on its way to me right now, courtesy of Netflix!

Tony Leung Chiu-Wai is dreeeeamy.

Renting a HK movie based on an actor is a bit of a dicey business though. I recently Netflixed a Leslie Cheung flick (with Michelle Yeoh in a small role!) called Moonlight Express. Cheung was an undercover cop betrayed by his friend, and he runs across this Japanese woman who fiance just died in a car crash and happened to look just like Cheung's character. Or something. The climax of the film was the couple getting it on in a barn, surrounded by a flock of ducks. Or maybe chicken. Some type of poultry. The whole thing was kind of funny, if inadvertently.