I'm watching The Limey right now. I am large with the Soderbergh love, and this movie is one of the reasons why.
Buffista Movies 3: Panned and Scanned
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I'm watching The Limey right now. I am large with the Soderbergh love, and this movie is one of the reasons why.
Oh, MAN, I love that movie.
Even with the weird moment where I start to wonder if someone on the production knew my parents or something.
I need to get out more, I think. I haven't seen any of these movies.
Oh, MAN, I love that movie.
I think my personal favorite scene is probably the one where Nicky Katt stands surrounded by extras, giving a speech about what a lame job being an extra is.
Serial:
Even with the weird moment where I start to wonder if someone on the production knew my parents or something.
Heh. Some similarities to Terry Valentine?
I need to get out more, I think. I haven't seen any of these movies.
Yes you do. The Limey is great. Terrance Stamp totally kicks ass in that movie.
cool. I will add it to Netflix.
Heh. Some similarities to Terry Valentine?
It's the mention of my name as a could have been worse that makes me blink.
It's the mention of my name as a could have been worse that makes me blink.
I was thinking of you when that line went by.
P-Cow, the three movies that really re-set visual style in the 80s were (as you figured) Blade Runner, Road Warrior and (I think) Diva.
JZ and I saw Jacques Tati's Playtime last night at the Castro. It had a gorgeous, newly struck 70mm print.
crickets
70mm! It had many genuinely inspired bits, but at times it just felt too consciously structured with all its recurring visual jokes and allusions. Still, charming, and aside from Jackie Chan, Tati is one of the few directors who can really work with silent film vocabulary in contemporary movie.
crickets
The question of which version can also be asked of Brazil. Did P-C watch the "happy ending" version, or the director's version?
Another Soldier fan here. Kurt gives a great performance--especially considering he made most of the movie with a broken foot.