Jesse : Dude! You got a tattoo!
Chester : So do you, dude! Dude, what does my tattoo say?
Jesse : "Sweet!" What about mine?
Chester : "Dude!" What does mine say?
Jesse : "Sweet!" What about mine?
Chester : "Dude!" What does mine say?
Jesse : "Sweet!" What about mine?
Chester : "Dude!" What does mine say?
Jesse : "Sweet!" What about mine?
Chester : "Dude!" What does mine say?
Jesse : "Sweet!" What about mine?
Chester : "Dude!" What does mine say?
Jesse : "Sweet!" What about mine?
[later]
Chester : [angry] "Dude!" What does mine say?
Jesse : [screaming] "Sweet!"
Ah, comedy gold.
Chinese Fooooooooooooooood.
No and then! No and then! No and then!
And then and then and then and then and then and then and then?
Wasn't it a Buffista who noted that DUDE, WHERE'S MY CAR? and MEMENTO were basically the same movie?
what else could they do? Just not make a movie about it at all? Is there any ending that you would have found satisfying? Or would they all have fallen flat because of the disparity in medium?
I don't know. I've been mulling it over, and I've realized that unfaithful adaptations have a better chance of being liked (by me, certainly not the general public) if they don't lay claim to the source text. I am a lot less resentful of an unfaithful adaptation if it is shamelessly unfaithful than if it claims resonance by false association. Or, if it can justify its unfaithfulness on a basis other than filmic need for brevity. ("It looked really cool" can, under certain circumstances, qualify.)
I think to do a successful take on an extremely long, intricate story, one has to make an extremely long, intricate movie/series, or else tell only part. Trying to tell the main thrust of an epic in 2 hours, merely by shaving it naked of all its context and weight, makes for an extremely top-heavy storyline, full of characters who get one or two iconic lines/images, and (in this case) a fair amount of illogic.
I think a smaller story set in the overall Troy context would have been something possible to do well. One main character, one plotline, one viewpoint. For one thing, it would result in a hell of a lot less irrelevant backstory to cram in.
they don't lay claim to the source text
Does it help that Troy didn't?
Or is "inspired by" still counting as claiming?