Haven't seen that one, but I hear there's a mutilated horse. Woo!
It has got to be the most creative and artsy horse-mutilation scene ever.
Kaylee ,'Out Of Gas'
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Haven't seen that one, but I hear there's a mutilated horse. Woo!
It has got to be the most creative and artsy horse-mutilation scene ever.
Artsy, yes, and also really gross and awful. The only reason I didn't walk out of The Cell is because the friends I'd gone with were into it and I hadn't brought a book with which to occupy myself while waiting for them in the lobby. I really strongly disliked that movie.
Ah. So, much like The Cell, then? Good to know that's another one I don't have to see.
Much about The Cell causes me to roll my eyes or twitch, but the art direction of that movie is stunning. Yes, everything is really fucked up, but it's preeeeeety (in a disturbing, 'yep, crazy person!' sort of way, I will admit).
To me, The Cell didn't really add up to much--but yes, very pretty.
Kate! My sistah! The only reason I didn't leave the theatre at Two Brothers is because my ride was into the movie. I sat in the lobby and read the book I'd brought. The friends I'd gone with were distraught. I had hurled so much invective at the screen and was beyond keeping it below a whisper, so I left. I enjoyed my book, and so did my blood pressure.
Now I realize Two Brothers is nowhere near the 'artistic' level of the other movie, but your reaction struck a chord nonetheless.
Agreed The Cell was pretty but incomprehensible in a silly and pretentious way. Then again, has there ever been a serial killer in movies who just strangled and dumped his victims in a ditch, without getting baroque (and thereby caught)? Probably not.
Pleased to see all this Manchurian love. The plot itself I can take or leave in some ways; but the signature Frankenheimer verve of the camera is what really sold me on it. I'm just a Frankenheimer nerd.
The Cell was beautiful but incomprehensible.
We watched Romy & Michele's High School Reunion last night. I had forgotten how incredibly goofy that movie is, but the ballet to"Time After Time" is brilliant. And Mira Sorvino should play Scarlett Johansson's relative, either an older sister or a Loralei Gilmore-esque mother.
Then again, has there ever been a serial killer in movies who just strangled and dumped his victims in a ditch, without getting baroque (and thereby caught)? Probably not.
Um, Henry, Portrait of a Serial Killer?
That was a very creepy movie because it felt real.
I got home and walked out of Bubba Ho-Tep, so it just wasn't my night for enjoying movies. (BHT was on the DVD player.)
Then again, has there ever been a serial killer in movies who just strangled and dumped his victims in a ditch, without getting baroque (and thereby caught)? Probably not.
Um, Henry, Portrait of a Serial Killer?
I *still* need to see that. But in the same vein, Rue Morgue magazine (which is a fabulous read for anyone interested in any aspect of the horror genre) says that a new British movie called The Last Horror Movie is a top-notch re-working of the serial killer movie genre.