Inara: You don't have to die alone. Mal: Everybody dies alone.

'Out Of Gas'


Buffista Movies 3: Panned and Scanned  

A place to talk about movies--Old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.


tommyrot - Jul 20, 2004 4:33:15 pm PDT #1062 of 10001
Sir, it's not an offence to let your cat eat your bacon. Okay? And we don't arrest cats, I'm very sorry.

We, Robots?


§ ita § - Jul 20, 2004 4:37:43 pm PDT #1063 of 10001
Well not canonically, no, but this is transformative fiction.

Heh. I'm trolling through IMDB, and this is one of the blackest resumes I found.

I wouldn't call Singleton or Lee ghetto -- Lee especially has too much bougie in him. But it is about race for him, it seems. For Singleton, it seems less about race, more just stories with black folk in.


Jesse - Jul 20, 2004 5:05:36 pm PDT #1064 of 10001
Sometimes I trip on how happy we could be.

I kind of meant the black movie ghetto, not movies about the ghetto. But yeah.


Jesse - Jul 20, 2004 5:06:20 pm PDT #1065 of 10001
Sometimes I trip on how happy we could be.

Also, yeah Clark Johnson! I fucking loved SWAT.


Polter-Cow - Jul 20, 2004 5:10:57 pm PDT #1066 of 10001
What else besides ramen can you scoop? YOU CAN SCOOP THIS WORLD FROM DARKNESS!

Also, yeah Clark Johnson! I fucking loved SWAT.

It was really loud. But it was fun.


alienprayer - Jul 20, 2004 5:23:41 pm PDT #1067 of 10001
Conservative, n. A statesman who is enamored of existing evils, as distinguished from the Liberal, who wishes to replace them with others. -Bierce

Didn't the Hughes brothers make From Hell? British period movies are evidently the only way african-american directors "cross over". One of them did the pilot for the US Touching Evil, also. Good show, but nary a person of color. Except for punchline psychiatrist, who only appeared in the pilot.


§ ita § - Jul 20, 2004 5:28:12 pm PDT #1068 of 10001
Well not canonically, no, but this is transformative fiction.

I kind of meant the black movie ghetto

I always envisioned a ghetto like that as an involuntary place to be. I think they make black movies because they'd rather/need to. Which is why I misread.

And you are right about From Hell, alienprayer. And they both produced Touching Evil.

I poked around a little more -- Antoine Fuqua has no production credits. Singleton, Lee, the Hughes Brothers -- produced most everything they directed.


P.M. Marc - Jul 20, 2004 6:58:47 pm PDT #1069 of 10001
So come, my friends, be not afraid/We are so lightly here/It is in love that we are made; In love we disappear

twitching uncontrollably at the wrongheaded Magnolia-lovers

Dude, watch it as a COMEDY.

That's what we did. (Okay, a black, depressing, bleak comedy, but still.)

Also? Sure, it has that horrible not-an-actress-overrated-twerp-woman in it, but it also has a RAIN OF FUCKING TOADS.

I repeat, a RAIN OF FUCKING TOADS. TOAD. RAIN.

What's not to love?

Signed, simple and shallow, and likes it that way.


Polter-Cow - Jul 20, 2004 7:03:47 pm PDT #1070 of 10001
What else besides ramen can you scoop? YOU CAN SCOOP THIS WORLD FROM DARKNESS!

They were frogs, Plei. FROGS.


Katie M - Jul 20, 2004 7:10:17 pm PDT #1071 of 10001
I was charmed (albeit somewhat perplexed) by the fannish sensibility of many of the music choices -- it's like the director was trying to vid Canada. --loligo on the Olympic Opening Ceremonies

That was so the best part of the movie. It was almost worth the pathological reaction I had to Julianne Moore for a year or two afterwards, which went something like this:

t Julianne Moore appears on-screen

ME: Oh God, she's going to say Fuck, isn't she? Noooooo!