Young Simon: So... how'd the Independents cut us off? Young River: They were using dinosaurs.

'Safe'


The Minearverse 3: The Network Is a Harsh Mistress  

[NAFDA] "There will be an occasional happy, so that it might be crushed under the boot of the writer." From Zorro to Angel (including Wonderfalls and The Inside), this is where Buffistas come to anoint themselves in the bloodbath.


Dana - Jun 16, 2005 5:17:01 am PDT #9199 of 10001
I'm terrifically busy with my ennui.

Hart Bochner? I haven't seen him stalk or kill anyone since Apartment Zero.

Oh, my good lord, that *is* who it was. Dude. He's really good at that kind of character. I loved when he was taking Paul and Rebecca apart in the interview room without even breaking a mental sweat.

They wish the ratings were bigger, of course. But House debuted at about the same place. And they dig the show. They hope it builds.

And who could have forseen that "Dancing with the Stars" would be such competition? (I don't tape it and fast-forward through it later. Shut up.)

Wait, wasn't she saying that Brandt was in control, that Strong was never in control?

I thought that was a little...eh. I mean, Strong ended up dead, so hey, but I'm not sure I would characterize that whole interaction as Brandt being in control.

So last night, I got a breaking news alert in the middle of the show. The big news was that there were a lot of people around Texas without power. Why this was important, I don't know, since if you were one of the ones who lost power, you probably already knew (and didn't have a TV on), and if you did have power, who the hell cares? Anyway, I lost a fairly important part of the episode.

During the re-enactment, I got to the point where Rebecca says: "He let me go." And then the next bit I saw was when Mel and Danny were going after Preacher Boy. Can anyone summarize what I missed while I was cursing at the TV anchor?


Jessica - Jun 16, 2005 5:22:23 am PDT #9200 of 10001
And then Ortus came and said "It's Ortin' time" and they all Orted off into the sunset

I think it was both pointed and sincere, and not a surface thing at all. I'm still poking at it with my brain to get at all the tasty layers of that exchange, but it was the prickliest bit of tenderness on record.

Yes, exactly.

I think it was intended as sincere, but for all of her "Bad Paul, no judging!" from earlier in the episode, she does judge him. For daring to make a game out of what she's been through for real and presuming to understand anything about real power or control, even if she also understands that that's a false comparison on many levels, and therefore a really unfair judgement to make.


amych - Jun 16, 2005 5:23:51 am PDT #9201 of 10001
Now let us crush something soft and watch it fountain blood. That is a girlish thing to want to do, yes?

licks Jessica's spicy brains


Jessica - Jun 16, 2005 5:25:22 am PDT #9202 of 10001
And then Ortus came and said "It's Ortin' time" and they all Orted off into the sunset

Ooh, tingly!


-t - Jun 16, 2005 5:25:39 am PDT #9203 of 10001
I am a woman of various inclinations and only some of the time are they to burn everything down in frustration

I thought that was a little...eh. I mean, Strong ended up dead, so hey, but I'm not sure I would characterize that whole interaction as Brandt being in control.

Yeah, that had me confused. I also didn't understand why Strong killed himself (surely that wasn't his plan all along), and figure they are probably related by more than my not getting them.


Allyson - Jun 16, 2005 5:30:36 am PDT #9204 of 10001
Wait, is this real-world child support, where the money goes to buy food for the kids, or MRA fantasyland child support where the women just buy Ferraris and cocaine? -Jessica

Yeah, that had me confused. I also didn't understand why Strong killed himself

Self-hatred. He was gay, he hated that he was, he hated that he was obsessed with this guy, he went nuts.


Allyson - Jun 16, 2005 5:35:32 am PDT #9205 of 10001
Wait, is this real-world child support, where the money goes to buy food for the kids, or MRA fantasyland child support where the women just buy Ferraris and cocaine? -Jessica

insent, jessica


Kevin - Jun 16, 2005 5:54:32 am PDT #9206 of 10001
Never fall in love with somebody you actually love.

I started writing my book last night (it's a retelling of a pilot I wrote a few months ago). The opening chapter features the end of the world told through the eyes of a cat called Jessica. I'd no idea why I'd used the name Jessica (it wasn't in the script), so I think Buffistas is affecting my brain...


Amy - Jun 16, 2005 5:56:59 am PDT #9207 of 10001
Because books.

Self-hatred.

That's what I got. When Brandt said, "You're weak," and Strong said, "I know," I knew what he was going to do. He hated what he had become, and he knew he didn't have it in him to change.

There's also that idea of what's the worse punishment -- if he had killed Brandt, it would have been over for him. Now, he has to live with the memory of the rape, and everything that happened.

Which could apply to Rebecca, too, but it's all in how you deal with it, what you take away from violence and how you can use it, good or bad.


DavidS - Jun 16, 2005 6:01:18 am PDT #9208 of 10001
"Look, son, if it's good enough for Shirley Bassey, it's good enough for you."

I don't know - in a way it read to me as a really tender moment, which gave me a kind of shocked thrill.

That's how it played for me. And it was a really complex, fascinating moment. She asked to unlock him - she wanted to have that exchange. She challenged Paul's one-dimensional view of Hart's character. She knew he was a prick, but she understood him.

For daring to make a game out of what she's been through for real and presuming to understand anything about real power or control, even if she also understands that that's a false comparison on many levels, and therefore a really unfair judgement to make.

I think this was going on as well. But it was more gentle than snarky. (Though definitely putting his words back in his face.) She knows from damage. She knows from inappropriate or not socially normative survival strategies. She knows ambiguity and ambivalence and how motives don't always run in straight lines.

In fact, all of Rebecca's actions and lines in this episode really made her character snap into focus for me. Her getting tied up didn't tweak any of my damsel concerns, and I thought there were some very subtle topping-from-the-bottom clues to Rebecca's character. This time I did believe she was strong.

Also, I am really liking Rachel's acting. It's very underplayed with a purposefully flat, guarded vocal style but very expressive face that flashes past her guardedness.