Oh, cool. What's your alma mater?
'Destiny'
The Minearverse 3: The Network Is a Harsh Mistress
[NAFDA] "There will be an occasional happy, so that it might be crushed under the boot of the writer." From Zorro to Angel (including Wonderfalls and The Inside), this is where Buffistas come to anoint themselves in the bloodbath.
Pomona College.
Those were all over ST:TNG as well, IIRC.
(yes, I did that on purpose.)
Another almnus. We're everywhere.
Line Of Fire seems to have been arced with a direction-changing big moment at episode 13. I wonder if that was deliberate, and how often it happens in shows that don't get cancelled. I should make a note to look at all the ep 13s next season. If there are any.
Was that ep 12/13 that showed on Sunday? Any word on showing any more?
"The Minear Approach" to television writing.
The fact that this makes complete sense makes me sad.
Yay for the new thread and the flurry of haikus and limericks were fabulous.
You know this could become "The Method" for a new generation of TV writers.
What a sad day that would be.
The only series is the Franchise or the mini-series.
Man, I'm in technology and we see a lot of gut-less financial types, but I think the short sightedness of TV excutives is starting to take the cake.
Dear lord.
Sydney, I agree with you and I am one of those corporate gutless financial types.
snerk
I find the main problem with the 'short' seasons of shows here in the UK is that they make the waiting for new episodes almost heart-breakingly long. I know I'd prefer a run of 22 'hour-long' episodes than a short run of 6-10 anyday. I love 'Coupling', but at only six or seven 30 minute episodes, the Season is over almost as soon as it has begun!
Additionally, with short runs of series, it's harder for viewers to keep track of when shows are airing and/or returning... for example, I'm sure it's been well over a year since S2 of "Spooks" (imho the best BBC product since sliced bread), and S3 doesn't seem incoming until the Autumn...
One good thing about UK TV, is that we have the BBC producing drama without the commercial constraints of advertising pressures. Interestingly they often produce Television of greater quality then their commercially-motivated counterparts (imo).
You know, if I come up with a plan that allows networks to run a full 13-22 episode order and still make money despite DVRs and bring the male 18-49 audience back as well, will they pay me money for it?
I'd like to think theat they'd pay you a fucking boatload of money... but there's the question of, do they really care?