"Beauty" is a pretty limp heroine IMHO, McKinley's version or no. Even if she is a bibliophile.
We're Literary 2: To Read Makes Our Speaking English Good
There's more to life than watching Buffy the Vampire Slayer! No. Really, there is! Honestly! Here's a place for Buffistas to come and discuss what it is they're reading, their favorite authors and poets. "Geez. Crack a book sometime."
Speaking of spunky heroines, a friend of mine told me that the original Nancy Drew books had Nancy as a much more independent heroine, and that they were watered down when republished in the '60s. Has anyone here heard anything about this? My friend has forwarded some Snopes-disproved stuff in the past, so I don't know how much to credit this theory. I suppose I could ebay some Nancy Drew first editions and compare them to later reprints, but I'm not quite at that level of curious.
The 30s and 40s were actually a very good time for spunky/sassy heroines. I think the post-WWII "the men are home from the wars, time for the women to get back to womanly things" trend was what changed things. IE, the 50s.
There are definite differences between the various reprints of Nancy Drew (I remember once finding a few different versions of the same title and comparing them -- it wasn't just small changes, but entire scenes were changed), but I really can't remember enough to say whether the original was more independent or not.
The Nancy Drews I read were all my sister's. She was born in 1959, so they were probably mid- to late-60s imprints. So I've no idea what the originals were like.
Harriet Vane, from the Dorothy Sayers books in the 30s, seemed pretty spunky. I like the beginning of Have His Carcase:
The best remedy for a bruised heart is not, as so many people seem to think, repose upon a manly bosom. Much more efficacious are honest work, physical activity, and the sudden acquisition of wealth.
Sounds good to me. Although I wouldn't mind having both cures.
Mmm, that reminds me it's been over a year since my last Wimsey re-read.
Does anyone know how on or off Neal Stephenson is with the theology/anthropology/linguistics behind Snow Crash? I'm finding myself incredibly distracted.
ita, my general impression of Snow Crash was that it was a pile of inelegant hooey, badly infodumped, but I can't break that down into details. (I didn't like the book enough to remember which parts felt like hooey and which didn't.)
"Beauty" is a pretty limp heroine IMHO, McKinley's version or no. Even if she is a bibliophile.
This is why I think her re-visiting of the trope in Rose Daughter is so much better.
Still, for me, The Blue Sword will forever remain the OTMcKinleyNovel.
So far we are of one mind on this, Nutty. I can't work out why I didn't hate it the first time, so I'm reluctant to cut bait on it.
I'll make my way out of this particular piece of exposition (how could your protagonist (sorry -- Protagonist) sitting around talking to an AI (of limited I) for yonks not kill a story?)