It's a highly competent and watchable paranoid metaphysical video game that doesn't overstay its welcome, includes some luridly entertaining visual effects, and -- it has to be said -- summons an emotional impact of close to zero.
Excellent. Exactly what I want.
Kind of interesting, kind of navel-gazey essay on intersectionality from Film Crit Hulk: [link]
There is, however, one throw-away line in the essay:
people who actually make it in Hollywood come from more wealth than even those at fancy university (we rarely talk about this).
Do you think that is really true?
Are they talking out behind the scenes people like directors, producers, and studio heads? Because, for example, Tom Cruise, Jennifer Lawrence, and Samuel L. Jackson all come from fairly humble beginnings.
Deadpool 2's Cable doesn't have enough pouches.
(Not surprisingly, about half the comments are "needs more pouches").
I liked the comment that said his feet should be *just* out of frame for the entire movie.
I'm just worried that it's Sony at the helm, as they've had a crap track record of movies.
Who exactly decided it was a good idea to let Guy Ritchie direct a movie about King Arthur?
Did that finally come out?
Maybe it'll be Netflixable just for Charlie Hunnam appreciation.