Well, shoot, I just assumed it would be available somewhere, I don't actually want to pay to watch it.
Knives Out is always a good choice, though!
'Sleeper'
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
Well, shoot, I just assumed it would be available somewhere, I don't actually want to pay to watch it.
Knives Out is always a good choice, though!
I really enjoyed Booksmart.
Booksmart surprised me in just how much it was a gender flipped Superbad. It's a worthy addition to the One Crazy Night subgenre of teen comedies: 16 Candles, Can't Hardly Wait, et al.
Recently rewatched The Perks of Being a Wallflower with Matilda and JZ, and that one still gets me right in the feels. A little bit Ordinary People, a little bit...I don't know? Lucas (Corey Haim)? A little bit My Bodyguard. A little bit Ladybird.
I'm a sucker for weirdos finding their tribe in High School. (cf., Vampire Slayer, Buffy the)
Vampire Slayer, Buffy the
And you are?
David, have you watched Sex Education? Not s movie but high school tribe check.
David, have you watched Sex Education? Not s movie but high school tribe check.
I've been watching it with Matilda! I had to make her close her eyes for the very first scene. But frankly it's not any more raunchy than Big Mouth. And I'm trying to prepare her for gross boys in high school.
So, I guess I won't be doing my usual Criterion round-up for the past month since, well, I dropped my laptop on Thursday and have to overnight it tomorrow for repairs. Naturally, I had been planning to back it up the same day but hadn't yet gotten to it. Here's hoping I'll eventually get it working again.
In the meantime, just popping in on the Math Greek's MacBook (aargh, Macs) to say that it looks like there aren't quite as many films expiring in July as last month and they are pretty much restricted to the entirety of just a few large collections: (written by) Frances Marion, (title designs by) Saul Bass, and (directed by) Jean-Luc Godard. Unfortunately, these are all collections with stuff I had added to my list, but I'll at least have made some progress on my queue by the end of the month instead of rushing to see films I only sort of want to watch.
So, July priorities are as follows:
Marion:
The Wind, Stella Dallas, The Big House, The Champ
Bass:
The Big Knife, The Big Country, Seconds, The Human Factor
Godard:
Vivre sa vie, Bande à part, 2 ou 3 choses..., Week-end
3 x Nicole Holofcener:
Friends with Money, Lovely & Amazing, Please Give
The Saul Bass collection is somewhat of an odd beast in that some of the title designs weren't particularly notable, but a number of the films looked good when we went through the collection as a whole just watching the credits so we have been going back through it slowly over the last few weeks. One of my favorite discoveries doing that was Walk on the Wild Side (early Jane Fonda). They don't have much to do with the film, but the credits have some of the best cat photography I've ever seen.
In any case, my expiring priorities all seem very doable except for the fact that they just added a Western Noir collection that I want to watch ASAP. Two of my favorites genres together at last! The collection includes a few films that I've been dying to see but couldn't get anywhere, namely, Blood on the Moon, Lust for Gold, and Rancho Notorious, but everything looks good to me there and I think it makes sense to watch them as a group. The other upside is that the Math Greek hasn't seen most of them either so he is almost as eager to watch them as I am.
Walk on the Wild Side is one of my fav Bass credits, and it's also a famous theme which was done and re-done by jazz dudes for years. As for the movie itself: Stone Butch Barbara Stanwyck! Capucine!
Blood on the Moon is my favorite Noir/Western. EM and I used to call it Plaid on the Moon (you'll see once you note the costuming choices). Rare Robert Preston role before Music Man.
Wasn't Preston mainly a theatre guy?
Wasn't Preston mainly a theatre guy?
He did a ton of theatre, but his filmography has him making movies ever year from 1939 to 1963. He did a lot of Westerns in the 40s.