some people are upset about historical inaccuracies in Abraham Lincoln: Vampire Hunter
Well, now it's ruined for me, too. Drat. I'm going to go watch Season 1 of Merlin to get over it.
Riley ,'Conversations with Dead People'
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some people are upset about historical inaccuracies in Abraham Lincoln: Vampire Hunter
Well, now it's ruined for me, too. Drat. I'm going to go watch Season 1 of Merlin to get over it.
IMDB ruins EVERYTHING.
I saw The Favorite this afternoon. That was weird. I think I liked it? Anyway, Olivia Coleman and the others gave some great performances.
I saw The Favourite this afternoon as well and quite enjoyed it. Good acting, entertaining dialog, great costumes and setting. I don't know that I'd want to ever meet any of the characters, but they were fun to watch from a distance. Now I need to find a good history of the time to see what was real and what was made up.
I feel like a shocking amount of it was real!
I suspect the intrigues of court life were very real. I need to find out more about Queen Anne's court and reign for more.
On the flipside, I just saw Spider-Man, and YAY.
I blogged about "Don't Worry, He Won't Get Far on Foot." [link]
Finally wrote up thoughts on the 250 movies I saw in 2018:
Part 1
Part 2
This year I really need to get back to quarterly film posts. This was far too difficult to do in one fell swoop.
Part 1
Love Assault on Precinct 13.
I've written about The Innocents in my early sixties horror series. It's an amazing movie. (script by Truman Capote!) and very influential on John Carpenter's Halloween.
Vivacious Lady has that incredible slap scene with Ginger Rogers.
I love The Black Cat and White Zombie! What's the problem here?
They both have the weirdness I crave in pre-code horror.
Noirvember:
Clash by Night, Ride the Pink Horse and Criss Cross are all favorites.
I associate Clash by Night in a double bill of my imagination with another Stanwyck melodrama/noir Crime of Passion (with a rare female noir scriptwriter, Jo Eisinger).
Ride the Pink Horse is based on a novel by female crime writer, Dorothy Hughes. (NYRB Classic has started reissuing her work).
Criss Cross is usually a noir double-bill with The Killers for Burt