It's looking like it may be so bad I have to see it.
But not enough to give them money.
I suspect this is going on my list of movies that don't really exist.
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It's looking like it may be so bad I have to see it.
But not enough to give them money.
I suspect this is going on my list of movies that don't really exist.
From the review P-C linked:
In the hands of a better writer, this could have been the next Lord of the Rings.
But, but! The writing contributed to LOTR by Fran and Phillipa sucked!
It's looking like it may be so bad I have to see it.
But not enough to give them money.
I may wait a couple weeks so I can use a free ticket.
The writing contributed to LOTR by Fran and Phillipa sucked!
Some did, some didn't. I think that the FotR prologue has some incredible writing, which is due to Phillipa. "History became legend, legend became myth" sent chills up my spine when I first saw that film, and it still does. That was when I really thought that the film had the potential to get the book right.
When I think of the writing in LOTR, I generally think of two words: "A" and "diversion."
But, but! The writing contributed to LOTR by Fran and Phillipa sucked!
Insert very long, irate and possibly incoherent rant about the complete destruction of the confrontation between Gandalf and the Witch King, and the confrontation between Eowyn and the Witch king (the two best scenes in the book) in RotK ---->HERE.
Ah, but TTT had that wonderful scene between Eowyn and Wormtongue which was a brilliant example of shifted lines (from Gandalf in RotK to Wormtongue, who would have known more about her than Gandalf).
I think that scene might be the best acted scene in the entire trilogy.
That looks fun!
Wow, Film School Rejects really hates this thing.
To the fans of the original series: I am offended on your behalf.
As you might imagine, the offense was committed by the director, M. Night Shyamalan, but that’s not where it ends. On the whole, Paramount’s The Last Airbender is perhaps the most well-rounded failure of 2010. Whether it’s the wooden performances of its young cast, the action sequences, the community theater-level dialog, the story’s pace or even James Newton Howard’s score, nothing works.